A Quote by KiKi Layne

I will never forget my first Valentino Haute Couture show. — © KiKi Layne
I will never forget my first Valentino Haute Couture show.
For me, haute couture is a necessity. I never would have done this job were it not for haute couture. It is a comfort, a security. I almost feel it is our duty to continue. Haute couture is France. We have to keep all the skills and craftmanship alive.
Couture is also a term used for top-of-the-range, to-order clothing - but not to the level of intricacy and expense as haute couture. And without the 'haute', the word 'couture' itself isn't protected.
It really is the very top of the fashion world; nothing comes above haute couture. But not any old designer can create something magical and call it haute couture; the term is strictly protected for a very special few.
Haute couture consists of secrets whispered from generation to generation, If, in ready-to-wear, a garment is manufactured according to standard sizes, the haute couture garment adapts to any imperfection in order to eliminate it.
I am very happy to design haute couture. It's a love story between couture and me.
Ever since I was a little girl, I wanted Valentino to design my wedding dress. Valentino is the definition of timeless elegance. I don't think there's another couture house like it.
I was taken to my first fashion show - Nina Ricci haute couture - in Paris by the White Russian princess, down on her luck, whom I was boarding with in Paris in 1963. I was captivated by the glamour of the gilded salon, the elegant clothes, and the audience of grand ladies.
I had the luck at 18 to become assistant to Christian Dior, and to succeed him at 21 and to meet with success from my first collection in 1958. That will be 44 years in a few days. Above all it was Christian Dior who was my master and who was the first to reveal the secrets and mysteries of haute couture.
With Dior Haute Couture, the dream is already there.
I want to give haute couture a kind of wink, a sense of humour - to introduce the whole sense of freedom one sees in the street into high fashion; to give couture the same provocative and arrogant look as punk - but, of course, with luxury and dignity and style.
I have a very haute couture way of working.
I learned to work with my mother, who had an haute-couture business.
Haute Couture should be fun, foolish and almost unwearable.
It's the ultimate for me not to see how it's made. I find it vulgar when you can distinguish how something is made. I used to be a student at the Chambre Syndicale de la Haute Couture in Paris, and once I got to go to a Saint Laurent couture show. Everyone was always talking about how fabulous the tailoring was, but I was transfixed by this one particular dress. It was just a piece of fabric, but as the model was walking, you didn't know how she got into it, how it closed, where the seams were, and that, for me, was perfection. It stayed with me as a lifelong vision.
When I thought about the absolute favourite of favourites or what stood for the best of haute couture, it was Givenchy.
Haute couture is a legitimate subject for Yves Saint Laurent and could resume one day.
This site uses cookies to ensure you get the best experience. More info...
Got it!