A Quote by Kiki Smith
One hopes that each piece contains enough space for several narratives.
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One of the things that makes it so challenging is that we're constructing the Station hundreds of miles above the surface of the Earth and we're doing it one piece at a time For the International Space Station we do not have the privilege of assuming the Space Station is on the ground before we take it up one piece at a time. So we have to be very clever about the testing that we do and the training that we do to make sure that each mission is successful, and that each piece and each mission goes just as it's planned.
In space, you can't see the borders. It doesn't look like a map. We're all like kids fighting in a sandbox, on the political and human side of it. The International Space Station was built in orbit. Each piece hurtled into space at eight kilometres per second. From an engineering point of view, it's madness. It's also a feat of policy - Russia, the U.S., Germany and Japan working together. Do you realize what that means? These countries were sending nukes to each other a generation ago. Space does that. It gives us that amazing big picture.
The designation of the locality in one excludes the appearances narrated by the rest; the determination of time in another leaves no space for the narratives of his fellow-evangelists; the enumeration of a third is given without any regard to the events reported by his predecessors; lastly, among several appearances recounted by various narrators, each claims to be the last, and yet has nothing in common with the others. Hence nothing but wilful blindness can prevent the perception that no one of the narrators knew and presupposed what another records.
I thought of the structure as musical. The first piece, for instance, contains the names/subject matter of every person to come in the book. Like a piece of music with themes, etc.
In a modern loft, you can't just fill a space with furniture. Each piece has to be perfect.
Space is much stiffer than you imagine; it's stiffer than a gigantic piece of iron. That's why it's taken so damned long to detect gravitational waves: to deform space takes an enormous amount of energy, and there are only so many things that have enough.
There are several revenue streams that are near and present that could support a private space station, including in-space manufacturing, microgravity research, and tourism - for both individuals and sovereign nation astronauts - and in-space supply logistics.
Bringing together disparate personalities to form a team is like a jigsaw puzzle. You have to ask yourself: what is the whole picture here? We want to make sure our players all fit together properly and complement each other, so that we don't have a big piece, a little piece, an oblong piece, and a round piece. If personalities work against each other, as a team you'll find yourselves spinning your wheels.
When I was in school in the Art Institute, we had several problems during the course of the time we were taking ceramic classes where we had to do a sculptural piece. And when I say a sculptural piece, it's nothing like what we conceive of now as a sculptural piece.
A piece of advice always contains an implicit threat, just as a threat always contains an implicit piece of advice.
Biologically, physiologically, we are not so different from each other; historically, as narratives - we are each of us unique.
I never really have blank page syndrome. I don't get blocked. I have a plan for my novel before I start which, although incomplete, probably contains enough material for several novels by a quieter kind of writer. And I try to get my arms around that material and see where it takes me.
All architecture is shelter, all great architecture is the design of space that contains, cuddles, exalts, or stimulates the persons in that space.
Perhaps not one religion contains all of the truth of the world. Perhaps every religion contains fragments of the truth, and it is our responsibility to identify those fragments and piece them together.
In different hours, a man represents each of several of his ancestors, as if there were seven or eight of us rolled up in each man's skin, - seven or eight ancestors at least, and they constitute the variety of notes for that new piece of music which his life is.
I continue coupling a plate of silver with one of zinc, and always in the same order... and place between each of these couples a moistened disk. I continue to form a column. If the column contains about twenty of these couples of metal, it will be capable of giving to the fingers several small shocks.
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