A Quote by Kiki Smith

I got into animals by drawing hair follicles. I liked drawing hair, and from that I got into feathers and fur, then into images of animals. The patterning is the same, but the proportions of the body change from one animal to the next. A lot of it is just geometry and consciousness.
I've got a lot of people that are really good at taming animals and working with animals; and they can't explain how they do. They just get a feeling from the animal.
I've just got crap hair. Although I inherited a lot of stuff from my dad, including giant knees, I didn't get his good, thick hair. I got my mother's thin, wispy, non-event hair instead.
I think using animals for food is an ethical thing to do, but we've got to do it right. We've got to give those animals a decent life, and we've got to give them a painless death. We owe the animal respect.
Being veterinarians, we're not supposed to be afraid of any animals. And I'm afraid of spiders. They creep me out the way they move. They got hair and saliva. That's wrong. A bug shouldn't have hair on it.
All comic books take place in built environments, and I was very good at drawing people and animals, and stuff like that, but I hadn't spent much energy drawing buildings. So I thought, maybe I could, and then I became an architect.
We're against animal fighting and killing animals for fur.... We want Americans to eat fewer animals
The consciousness of the animal begins to change when it interacts with a human who's gone beyond thinking. It's not only the animals assisting us; we are also assisting the animals.
I studied a lot of animal behavior and one of the things I find really interesting is the whole idea that animals are sensory based thinkers and I wrote about this in my book, Animals in Translation. That an animal's memory is not in words, they've got to be in pictures - it's very detailed so let's say the animal gets afraid of something - they'll get afraid of something that they're looking at or hearing, the moment the bad thing happens.
Just as our ancient ancestors drew animals on cave walls and carved animals from wood and bone, we decorate our homes with animal prints and motifs, give our children stuffed animals to clutch, cartoon animals to watch, animal stories to read.
I'm a huge animal lover - I love animals to death. I've got tortoises and three dogs, and I've had a million animals in the past. I just think that we should do all we can to take care of them.
It is very funny about money. The thing that differentiates man from animals is money. All animals have the same emotions and the same ways as men. Anybody who has lots of animals around knows that. But the thing no animal can do is count, and the thing no animal can know is money.
It wasn't a problem for me drawing humans although I had originally come to the studio with the idea that what I had to offer them was my knowledge in the drawing of animals.
So much of my body changed from being pregnant. My hair got so much longer from all of the multivitamins and pregnancy vitamins, like the New Chapter's Every Woman Vitamin I've been taking - it's a lot of folic acid. I know a lot of moms cut their hair, but I just want to keep mine long.
The young man should first learn perspective, then the proportions of objects. Next, copy work after the hand of a good master, to gain the habit of drawing parts of the body well; and then to work from nature, to confirm the lessons learned.
I just love animals, and I'm an advocate for animals rights, and my family has rescued dogs from all over the world. I don't believe in animal testing. If you see me in fur, it's always fake. Sometimes you see me wearing skulls, but those are all from roadkill
We live in a zoo, and we get to share all our animals with the people who come in. We really put our animals first, and then the staff, and then the visitors. The animals aren't pacing; they're all happy. When you touch an animal, it ultimately touches you.
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