A Quote by Killer Mike

The motivation to me is to make money and not be dependent upon the shallow pool called the entertainment world or the rap world or the hip-hop world. — © Killer Mike
The motivation to me is to make money and not be dependent upon the shallow pool called the entertainment world or the rap world or the hip-hop world.
In this time, we incorporate money and media, and it's split up like apartheid, where when you say "hip-hop," you think just rap records. People might have forgot about all the other elements in hip-hop. Now we're back out there again, trying to get people back to the fifth element, the knowledge. To know to respect the whole culture, especially to you radio stations that claim to be hip-hop and you're not, because if you was a hip-hop radio station, why do you just play one aspect of hip-hop and rap, which is gangsta rap?
To me, that's the biggest problem with hip-hop today is the fact that everyone believes that all of hip-hop is rap music, and that, when you say "hip-hop," it's synonymous with rap. That when you say "hip-hop," you should be thinking about breakdancing, graffiti art, or MCing - which is the proper name for rap - DJing, beat-boxing, language, fashion, knowledge, trade. You should be thinking about a culture when you say, "hip-hop.".
I think the hip hop world and the rock world still have a lot in common, but it certainly seems like things happen and break at a much faster pace in the hip hop world.
There needs to be structures in place to do something about misrepresentation about hip hop. When awards are given out and the media talk about hip hop, they're confused because they haven't done their homework on it so you have a case where there's an award for the most pop song in the world and it's called 'hip hop'.
Everybody's not always open to everything. People have biased feelings about certain things, especially in the hip-hop world. The hip-hop world hates homosexuality.
I do hip-hop music, and I've gotten famous off of hip-hop music, and I know that I'm successful, and I've created my own definition of success, what success means to me. So the hip-hop world is all just really fake to me.
I feel like everything I do in the hip-hop world has an influence. People don't really notice what I did until somebody else does it. As far as hip-hop goes, I want to continue to make good music, and good art. I don't really follow the state of hip-hop.
Hip-hop is the only music in the world where you can take any instrument and make it hip hop. It's anybody's music. It's what you make of it. That's for anything you do in life.
What sets 'Some Nights' apart from anything we've ever done is the hip-hop influence. Not so much the actual sound of hip-hop, but more the vibrato and the artistry that comes with it. Right now, the artists that seem to be pushing to be the greatest artists and are trying to change the world are hip-hop artists.
I'm a fan of the mythos of Atlanta hip-hop, and it's something I grew up imagining. It was very interesting to get there and see the real version of this world and then reconcile the differences between what's presented as Atlanta hip-hop to the rest of the world and what the real, breathing version of it is.
Hip-hop, which is my generation's blues, is important to the characters that I write about. They use hip-hop to understand the world through language.
There's certainly a lot of noise in the hip-hop world now [that] I don't pay active attention to, but to the extent that I represent some flavor of what's happening in hip-hop - it's subconscious.
The hip-hop aesthetic and the way it's produced always motivated me. Alongside that I was still wanting to make great traditional songs because I've never had any desire to rap. My love of hip-hop is driven by my love of rappers, but it was built out of my love of producers.
If I were to critique myself - step out of KRS objectively and look at him - I would say that KRS has introduced the concept of being hip-hop, not just doing it. The concept of rap as something we do, while hip-hop is something we live. The concept of living a culture. Don't just look at hip-hop as rap music, see it as a culture.
Bebop and hip-hop, in so many ways, they're connected. A lot of rappers remind me so much of bebop guys in terms of improvisation, beats and rhymes. My dream is to see hip-hop incorporated in education. You've got the youth of the world in the palm of your hand.
I'm a rapper but I don't f**k with that hip-hop s**t. You understand? I'm home, I take care of my family. I f**k with other kinds of n****s, I don't f**k with no hip-hop dudes, man. That rap s**t is fake... these rap dudes is fake.
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