A Quote by Killer Mike
People tend to think of gentrification in terms of race because it's presented that way, and I think it's presented that way because in poor cities that's what's really going on. Beyond that, I think it's presented that way as a way for the people who are really pushing it to make it just a black problem, so people don't care.
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I turned 54 this year and I find myself feeling like I'm in a bit of a race to get down on paper the way I really feel about life - or the way it has presented to me. And because it has presented to me very beautifully, this is hard. It is technically very hard to show positive manifestations.
I'm one of those people that think that what you put up on screen, no matter how you're stating it, is usually an advertisement for it. Even if I'm saying "it's really bad to do this, or it's really good to do this" - regardless, the fact that it's on film, presented in this huge way, is appealing.
I don't think that people generally realize what the motion picture industry has done to the American Indian, as a matter of fact, all ethnic groups. All minorities. All non-whites. People just simply don't realize. They take it for granted that that's the way people are going to be presented and that these cliches are just going to be perpetuated.
I'm a vegetarian now, but I'm willing to make an exception in the event I'm presented with people. Because I've always been fairly standoffish; I have this tendency not to get to know people very well. And I don't think there is any better way to get to know humanity than to ingest it.
What I think is important about essayists - about the essay, as opposed to a lot of personal writing that kind of finds its way into public view - is that the material really has to be presented in a processed way.
You make a film and you can't really pick the way it's put to the public. You control the content, but the way it's marketed, or the poster, or what they're telling the public about the film, it's beyond you. Some people don't even see them, because they think they already know it. That can be frustrating, when something you've done is marketed in a way you think is antithetical to what it is.
In Acts 14:1, we are told, "At Iconium Paul and Barnabas went as usual into the Jewish synagogue. There they spoke so effectively that a great number of Jews and Gentiles believed." This is what should be sought in Christian schools, not just teaching, but effective teaching. Christian content alone is insufficient. It must be presented in a certain way, and that way cannot be reduced to technique. Nevertheless, God has graciously made it possible to bring people the truth by how the truth is presented.
We're gonna need more than winning elections; we're gonna need to change the way people think, and they're not gonna change what they think if there's no counter to the way liberalism is presented in the pop culture.
A lot of writers do think of their characters as living beings. I know that's the way people think. That's why I try to make them real in a certain way, because otherwise people won't read them. It's fine if some readers think of them as real. It's just not the way that I think of them.
Not all that is presented to us as history has really happened; and what really happened did not actually happen the way it is presented to us; moreover, what really happened is only a small part of all that happened. Everything in history remains uncertain, the largest events as well as the smallest occurrence.
Yesterday is always better than today and the fear of tomorrow. I don't think there's anything absolutely wrong with that, it's just the way we are. So when people are presented with something new, there is a very visceral reaction.
We're still staring at TV screens, right? They're still monitors. But the way information is delivered is different. So it creates an interesting way of looking back at early films, because they're actually relevant in terms of the devices people are using. But the consideration, the debate, around those technologies was very different from what's being presented now.
Everybody's version of style is totally different and that's what I think keeps me going out on the street everyday is going out and kind of seeing the variations and what things maybe I'd never seen quite that way that I find very curious and how people will be able to communicate their own persona through their clothing, their posture, the way they wear their hair. I think all those elements end up becoming very interesting because I don't think I'm really particularly a people person. So for me I think it's interesting to kind of be able to read people in that way.
For me, cultivation of my own style really started by looking at people. There are just some really beautiful people in the world. When you're walking down the street, or you're at a restaurant, someone catches your eye because they have their own look. It goes way beyond what they're wearing-into their mannerisms, the way they smile, or just the way they hold themselves.
If you are going to think black, think positive about it. Don't think down on it, or think it is something in your way. And this way, when you really do want to stretch out and express how beautiful black is, everybody will hear you.
I think that people have expectations of themselves and other people that are based on these fictions that are presented to them as the way human life and relationships could be, in some sort of weird, ideal world, but they never are. So you're constantly being shown this garbage and you can't get there.
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