A Quote by Killer Mike
This is jazz, this is funk, this is soul, this is gospel
This is sanctified sick, this is player Pentecostal.
This is church front pew, Amen, pulpit,
What my people need and the opposite of bullshit.
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My band, Miles Long, is a jazz-funk spoken word band. There's jazz sensibilities, but I'm a bass player, so I'm very much into the head-bobbing vibe with sophisticated lyrics.
What isn’t on my iPod playlist? I have very eclectic tastes. Jazz. Classic Rock. Hip Hop. Ska. Soul. Electronica.World Music. Funk. Blues. Chamber Music. Reggaeton. Gospel. And a whole lot of Prince. (I am a Minnesota gal through and through.)
I've done all different kinds of genres - doo-wop, pop, funk, gospel, country, jazz, you name it.
People ask me to describe how I play, and the most obvious answer is that I'm a jazz influenced guitar player. But I'm not a jazz guitar player. Wes Montgomery was a jazz guitarist, Joe Pass was a jazz guitarist (laughs).
When it's foggy in the pulpit it's cloudy in the pew.
The use of rock, folk, or pop music serves a purpose. It gets people into the church. But an inexperienced guitar player who doesn't have much to say, for example, can make me wish to leave the church immediately, whereas one great jazz or classical guitarist can confirm that I will have a spiritual experience in the church.
The gospel funk soul era, that's what I'm obsessed with - pretty much all the '70s through early '80s.
To most people, jazz-fusion means this dreadful synthetic jazz-rock thing, this jazz-Muzak, which I detest. They also think of jazz as a specific form of music, while to me it's just the opposite.
Preaching is fire in the pulpit that melts the ice in the pew.
Funk could very easily be called jazz, but you call it funk. Does that really matter? People dig that they associate themselves with certain genres, but the genres to me are made up things, like an imaginary world.
My father was a minister for 50 years with Pentecostal Church of God in Christ. We prayed about everything, every day, then he always said, "Amen. God is love." I thought God is love was one word. Like "Godislove." And it took me a long time to learn what that really meant.
If we had more hell fire preaching in the pulpit then we would have less hell bound people in the pew.
I think my criticism of the Pentecostal tradition that I heard with my sister's church was that it wasn't always audible. You couldn't quite figure out what was going on. And then, the people would very often do what they call speaking in tongues and I didn't know what they were saying. My father used to always say that if it can't be understood, then it's not the good news or not the gospel.
Anybody's true nature is bullshit. There is no human soul. Emotion is bullshit. Love is bullshit.
Evangelization is a process of bringing the gospel to people where they are, not where you would like them to be. When the gospel reaches a people where they are, their response to the gospel is the church in a new place.
I visited New York in '63, intending to move there, but I noticed that what I valued about jazz was being discarded. I ran into `out-to-lunch' free jazz, and the notion that groove was old-fashioned. All around the United States, I could see jazz becoming linear, a horn-player's world. It made me realize that we were not jazz musicians; we were territory musicians in love with all forms of African-American music. All of the musicians I loved were territory musicians, deeply into blues and gospel as well as jazz.
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