A Quote by Killer Mike
I've worked with incredible producers in the past, but when me and El-P got in a room, there was no way I was going to let off his head because not only was he one of the greatest producers I heard, he was one of the illest rappers I had ever heard.
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I'm one of the best producers, one of the best singers. You hear me? I'm not just one of the best rappers. I'm one of the greatest ever.
I worked so hard on that role [of Debra in Dexter]. And I barely worked on Rita. But I read for casting - both parts - and they said, "That's great, we're going to bring you in for producers." So I read for some producers - both parts - and they said, "That's great, we're going to bring you in to meet the creator." And I went in, and as soon as I walked in the room, he looked at me and he said, "Oh my god, you're our Rita!" And I said, "No! I'm Deb! I'm a total Deb!" "No, you're Rita!".
When Elvis sang, it almost sounded like he was whispering. But after you heard the record, his voice was the strongest thing you ever heard. He was incredible.
I've worked with incredible producers who have also taken my voice and brought it to another level. I think I have some natural abilities, but it's the technique that I've been learning from the best that keeps me going. I'm really honored to do it.
I didn't come in as a writer that found producers, I came in under producers. So I've always respected the actual production process and producers in general.
I was 24 when I was blacklisted. I was 36 when I got off the blacklist. How much of a life does an actress have in L.A. past 25? ... I was really scared of having producers know that I was on my way to 40.
Who is Barack Obama? Contrary to the rumors you have heard, I was not born in a manger. I was actually born on Krypton and sent here by my father Jor-El to save the Planet Earth. Many of you know that I got my name, Barack, from my father. What you may not know is Barack is actually Swahili for 'That One.' And I got my middle name from somebody who obviously didn't think I'd ever run for president. If I had to name my greatest strength, I guess it would be my humility. Greatest weakness, it's possible that I'm a little too awesome.
Really the greatest music I've ever heard I've hated the first time I heard it. It's been abrasive at first; it's been something that challenged me in a way that I wasn't fully comfortable with.
For 'Filth,' we had about 12 producers on the thing. The opening credits go on for months. Most of them are actually financers rather than producers. And the only way that we could raise the budget without interference from a studio was to have a lot of different financers on board.
My role models came in my imagination, from what I'd heard on the radio or on record... Vera Lynn I loved, but I'd only ever heard her on the radio. Gospel singers, Bessie Smith, Mahalia Jackson. So it was in my head that I visualised the emotion but no way to see how people do it.
You know, another jazz drummer, Ed Thigpen, who played with Oscar Peterson way back - it was the first time I ever heard rivets in a cymbal. And then I heard that Chico Hamilton had them too, and I went, 'Oh, that's it. I'm taking that for my sound.' And it worked well on 'Riders On The Storm,' so that's one thing.
Now the dressing-room full of RSC hierarchy. Suddenly Trevor Nunn pushes his way through and 'Trevs' me. I've heard a lot about this 'Trevving', but never had it done to me. From what I'd heard, a 'Trev' is an arm round your shoulder and a sideways squeeze. But this 'Trev' is a full frontal hug, so complete and so intimate that the dressing-room instantly clears, as if by suction. I'm left alone in the arms of this famous man wondering whether it's polite to let go.
The people who've done well within the [Hollywood] system are the people whose instincts, whose desires [are in natural alignement with those of the producers] - who want to make the kind of movies that producers want to produce. People who don't succeed - people who've had long, bad times; like [Jean] Renoir, for example, who I think was the best director, ever - are the people who didn't want to make the kind of pictures that producers want to make. Producers didn't want to make a Renoir picture, even if it was a success.
I have found that so many directors and producers in the room say nothing, and this can be deadly. It's very difficult to audition for comedy in the vacuum of a small room, but it's the only way most do it.
The hip-hop aesthetic and the way it's produced always motivated me. Alongside that I was still wanting to make great traditional songs because I've never had any desire to rap. My love of hip-hop is driven by my love of rappers, but it was built out of my love of producers.
You had to knock the doors of the great directors and producers; of course I needed the work and was desperate for work. I remember one of the producers saying, we have R.D. Burman, we have Laxmikant-Pyarelal, we've got Kalyanji-Anandji with us, why should we take you?'
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