A Quote by Killer Mike

The fact that I'm in a group that inspires others artists is just heaven to me. — © Killer Mike
The fact that I'm in a group that inspires others artists is just heaven to me.
The opportunity to live and experience life inspires me. Watching others not take it for granted inspires me. Using time to create something timeless through creativity and proactivity inspires me.
I'm very much inspired by things that anger me. If I see bigotry, stupidity, or injustice on the news, I'm inspired to find a way to make it into something comedic and relatable. Anger inspires me. Stupidity inspires me. My family inspires me. My accountant inspires me. Everything and anything, really.
Music being “good or bad” is a flawed idea. Artists make what they want to make and we either connect with it or we don't. Just because we relate to some songs more than others doesn't make the others less valid, we just don't understand them. In fact, we aren't meant to, and that's all right.
One can see how great the delight of heaven must be from the fact that it is the delight of everyone in heaven to share his delights and blessings with others; and as such is the character of all that are in the heavens it is clear how immeasurable is the delight of heaven.
Artists are the only people in the world who really live. The others have to hope for heaven.
People who are artists professionally are not artists because they want to be artists; they have to be artists. They're compelled to get that creativity out and to share that with others.
Taylor [Swift] always inspires me, not just with music -- she just inspires me as a person. She's really, really sweet and just reflects beauty inside and out. If I'm going through anything Taylor can pull me out of it in five seconds.
I don't know any artists or painters, like, "Oh that painting group." I want to write down this idea of a group of artists who treat it like a band. Like, "Who made the painting?" "All four of us did."
I just don't want to ever make decisions based on something that I feel like I shouldn't do, or if it's a logical career step. It has to be something that inspires me. Because if it's not something that inspires me, then I'm not going to do it well. And that doesn't help anybody.
Society is the body; individuals are its members, its limbs. Just as the various limbs help and co-operate with one another and thus are happy, so each must unite with others in being helpful to all in thought, speech and action... One may see to the good of one's own group, i.e., the group that is immediate to him, and then proceed to others.
I write differently from the way Glen used to. I haven't written very much lately, I mean, since I've been in the group, but I'm starting to now more. And just the fact that I'm there instead of Glen means that the others do everything differently. Cos they have to adapt it to, like, fit in with me, do you know what I mean?
Sri Chinmoy brings Heaven to me. He inspires everyone to be happy. He deserves the biggest gold medal.
Sometimes it's just the creative intent of an artist or band that inspires me. I'm generally drawn to artists or bands that put themselves out on a limb somewhat and do something that infuriates both the mainstream and the indie purists, but that can't necessarily be classed as either. To me it seems somewhat convenient to be on either end of that scale.
I believed in looking at people as individuals, not in groups. I hated groups; still do. And I saw particularly the university, the university artists really acted as a group. The others didn't so much, but the university people took advantage of that and behaved like a group, rather than as individuals. They had a lot of power that way.
I guess what inspires me is when I am watching somebody else do something that really has an impact on me. That inspires me to want to do that in return.
Group Material is itself collaborative, which is non-hierarchical and we don't use the corporate model which is along lines of expertise but we work together and take responsibility as a group for every aspect of the work. And then there's a collaboration or dialogue with those artists and non-artists we work with, in terms of participation in the various projects.
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