A Quote by Killer Mike

I like the New York style of funk, the California style of funk, but the South I never felt like - and Atlanta particularly - got the credit for taking their lessons and progressing on it.
The bottom line with a lot of bands that funk is being applied to is that they don't really listen to funk and aren't versed in funk. Like, you know, Gordon Lightfoot.
I've determined my style - I like to call it elegant funk. You'll see me in some really beautiful gowns but I'll still have my septum piercing in.
Every problem seems like a mountain to me, and when I'm fit, I feel like I can conquer anything. When the opposite happens, I go into a funk. A real, real funk.
Funk, I don't think I have anything to do with funk. I've never considered myself funky.
I bring the funk. It's a different style.
I have been robbed of three million dollars all told. Everyone today is playing my stuff and I don't even get credit. Kansas City style, Chicago style, New Orleans style hell, they're all Jelly Roll style.
There's a very thin line between rock and funk. Funk is like a dirtier blues, and so is rock. They're close cousins.
Grime is a particular style of music. You've got electro, funk and garage; grime is its darker side. It's constantly evolving.
Every single place that's brushed upon me has made me the artist that I am - from Nigerian Highlife music and the vocal melodies that I grew up on when I would be sitting with my father and his fellow chiefs, to the funk and freeness of the Bay Area groove, to L.A.'s smooth G-funk legacy, Brooklyn's lyricism, and now Atlanta's trap history.
I like New York because you're kind of forced to smell everybody else's funk. So it keeps you biologically attached to the world around you.
Novelists tend to go off at 70, and I'm in a funk about it, I've got myself into a real paranoid funk about it, how the talent dies before the body.
People are like, 'What do you mean you don't listen to 115 different types of music?'. You can't just listen to The Smiths anymore. But then there are plenty of people that do only listen to five bands and six albums and that's it. My playlists are massively varied. There's never a theme throughout, it's never like everything is based in funk or based in reggae or whatever. It's 210BPM gabber-style techno and 40BPM reggae in the same list and it's like, yeah, they work.
No matter what happens with EDM, I would like to go to New Orleans and just play with one of those small funk bands in an intimate venue. How cool would it be to work with a band with those huge horn lines and produce all of that great funk that makes you just want to party?
I like [George] Benson because I just like it. I like that kind of style. I don't like the broken up kind of style. I don't like where you play for 16 bars and then break it up into what somebody's version of what birds twittering sounds like, or what the sound of the city is, or what New York sounds like.
Funk could very easily be called jazz, but you call it funk. Does that really matter? People dig that they associate themselves with certain genres, but the genres to me are made up things, like an imaginary world.
If you got a booty, you're going to dance to disco, funk, you know, whatever's going on. Funk is going to be involved in it.
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