A Quote by Killian Scott

Damnation' and 'Dublin Murders' are the first lead roles I've gotten to do. The more time you spend in front of the camera, the more you begin to relax in front of it. — © Killian Scott
Damnation' and 'Dublin Murders' are the first lead roles I've gotten to do. The more time you spend in front of the camera, the more you begin to relax in front of it.
What I love is a good role. In the theatre, there is just a canon of extraordinary roles, the quality of character is amazing, but I also love working in front of a camera. It was the first one for me; as a kid I was in front of a camera. I feel at home.
I started working in front of the camera for the first time when I was 15 years old. I joined a soap opera. We filmed in Brooklyn and I would skip class to shoot my scenes. It was terrifying and I entirely self-conscious in front of the camera.
In front of the camera and in front of the lens, there's no lawsuits, there's no agent, and there's most frequently no time limits... There's a longevity that's kind of built into it. I spend most of my time behind the scenes, and when it is time to perform, I'm genuinely delighted to do it.
After dubbing my lines for the first time, I'd say it's more difficult than performing in front of the camera.
I think I've spent more time in front of a camera than off camera. That's just the way it is.
I'm much more comfortable and confident running out on the field in front of 70,000 people instead of standing in front of a camera trying to say some lines.
I have a lot of appreciation for what people do in front of the camera as well as behind the camera. I don't think I could like one without the other. Eventually, I think the road will lead me down to producing or directing, because it's more about problem solving.
We need to have more conversations about representation as well as the imbalance in terms of needing more women behind the camera and in front of the camera, and the diversity factor.
Marilyn Monroe gave more to the still camera than any actress, any woman I've ever photographed; infinitely more patient, more demanding of herself and more comfortable in front of the camera than away from it.
That first year at Universal was a big blur and, naturally, I thought they were wasting me. I didn't realize at the time that I was learning my craft and acting more easily in front of the camera.
I would like to see more films being made with people of color behind the camera and in front of the camera, because the more times at bat we have, the better we get.
McLeod's Daughters was my first regular job out of drama school, and my first full-time role. That was great because I learned a lot, in terms of working in front of the camera. I learned a lot of technical aspects that you take for granted once you know them, but you have to learn them somewhere, along the way. It was a bit of a training ground for me, working in front of the camera and also dealing with media.
I think that what we leave behind us is extremely important. I therefore spend a fair amount of time on the charitable front, and someday I hope to spend more time on it.
'Scandal' has been, for me, the most consistent time I've ever logged in front of a camera. I grew up in the theater, and I feel very confident and comfortable on the stage and in front of a live audience, but the camera is a very different medium.
We need women behind the camera like we do in front of the camera. That's when we will have stronger, smarter, better roles for us.
Celebrities are under pressure to perform all the time. You are in front of a camera all the time, and it is difficult to lead a life in the world of glamour.
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