A Quote by Killian Scott
The thing I learned from watching Iain Glen and Brendan Gleeson, and Aidan Gillen and Michael Fassbender when I worked with them, there's a huge element of leading something. It's the atmosphere and dynamic you're creating on set.
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The thing about 'Harry Potter' is it's great fun because of the people - I was usually with Julie Walters and Mark Williams, Brendan Gleeson, Robbie Coltrane, and the kids. Wonderful, funny, amazing people. If you're going to hang around on a set bored, you might as well do it with Julie Walters.
There is something infinitely better than happily-ever-after. There is happiness. Happiness is a living, dynamic thing, Eve, and has to be worked on every moment for the rest of our lives. It is a far more exciting prospect than that silly static idea of a happily-ever-after. Would you not agree?" - Aidan Bedwyn
I learned a lot from Clint [Eastwood], who's an extremely economic director. I learned a lot from Michael Winterbottom, who really gave a lot of trust in the actors and allowed them to live in the space instead of trying to manipulate and make it too set and too staged. Working with [Robert] De Niro taught me a lot of being an actors' director and what that is. I've learned a lot from pretty much everybody. Hopefully I've picked up something from everybody I've worked with.
Aidan Gillen is such a great actor, and it was so nice to have an opportunity to work with him, even if it's his last scene, because he had a tone that he'd never had before on the show.
I've met Michael Keaton, John Favreau, Marisa Tomei - they're all really amazing people and really, really professional. I've learned so much from just watching them operate on set.
I'd just like to thank everybody who was involved in the film, especially Brendan Gleeson and Ruaidhrí Conroy. And Ruaidhrí, I'm sorry that you couldn't be here tonight but I hope next time, if they let you into the country.
I think you learn something from everybody that you've worked with. I really learned how to behave on set through the people that I worked with, like the importance of being on time and the importance of being professional. I don't bring my cell phone on set; I leave it in my trailer.
Everything that Michael Fassbender touches is elevated.
It's a huge change from when I started in the 1960s, but what is really impressive is that the number of ladies on set, the women working on set is a huge percentage. There used to be no women. It was just the leading lady's mother, perhaps the hairdresser and the makeup person.
Some of the greatest actors have turned superheroes into a serious business: Michael Keaton and Jack Nicholson in 'Batman'; Ian McKellen and Patrick Stewart, the first venerable knights of the X-Men, who have now passed the baton to Michael Fassbender and James McAvoy.
Some of the greatest actors have turned superheroes into a serious business: Michael Keaton and Jack Nicholson in Batman; Ian McKellen and Patrick Stewart, the first venerable knights of the X-Men, who have now passed the baton to Michael Fassbender and James McAvoy.
Michael Fassbender is phenomenal in '12 Years a Slave.'
The great thing was that as soon as Aidan and I met we clicked, we instantly knew we were going to get along and the more time we spend together, the more we’ve developed a brotherly bond that’s helped us figure out the dynamic of our characters.
'Slow West' is a film that I did with Michael Fassbender in New Zealand and Scotland. The director was John McLean. It's a film set in the 1800s. I play a young Scottish boy brought up in the royal family. I fall in love with someone who works on our land.
I'm developing a little crush on Michael Fassbender. Really unoriginal.
Are you sure?" Aidan asked, "Gavriel's still a vampire." "He warned me about you and about them. He didn't have to. I'm not going to repay that by-" she hesitated, then frowned. "What did you call him?" "That's his name," Aidan sighed, "Gavriel. The other vampires, while they were tying me to the bed, they said his name." "Oh." With a final tug she pulled the blanked free and tossed it over to 'Gavriel' -Tana and Aidan-page 23-chapter 3
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