A Quote by Kim Bodnia

I never judge the characters I'm asked to play, and I don't need to feel that they are a part of me. — © Kim Bodnia
I never judge the characters I'm asked to play, and I don't need to feel that they are a part of me.
Never say never - and I certainly don't judge anyone who does it. But most of the characters I play are going through some kind of emotional turmoil, so my job requires me to have expression. If my face was froze, what right do I have to play that part? All the women who haven't done anything to their faces are still able to play great roles. And some of the ones who have done something have messed it up - they look freakish. Anyway, for me it's about playing women with rich lives - and the longer the life, the deeper the wrinkles.
When I realised that what I do really well is play women who are tough and vulnerable, it was a moment of clarity. Many female characters either have one trait or the other, but I play both. I don't need to play characters who are like me. I can just do that with my life.
I like playing a variety of characters. I feel like I've been able to play different kinds of characters - I've done a lot of period pieces - but I've never had to play the same type of character too much.
You can't judge a character, and you're never going to always play characters that are morally sound or know right from wrong.
I feel like I'm a pretty good judge of character because I've had to judge a lot of characters.
I don't categorize characters into one syllable. These are fully-rounded characters that I don't judge; I just play them.
I've never been impressed with bureaucratic tradition. I don't like it when the parties come to me and say, 'This is the way that it's always done, judge.' I never found anything in the oath I took or the statutes I was asked to look at that said, 'Judge, stop thinking, because this is the way it was done before.'
I don't judge people who just hit "play," but I would judge myself if I did that. I wouldn't feel like I was earning my money, I'd feel like I was putting one over on people. I have to play the notes.
I would never dream of telling people how to dress. but I do say to them, however you are dressing, accept responsibility for it. And also, unless asked, I don't judge. And if asked to judge - I would approach it socratically, I would approach it with questions.
The first thing, when I read the script, is that I need to care about what happens and feel compelled by the story and engaged by the characters. It needs to resonate with me, even if what the characters are going through is not something that I have experienced in my life. I have to feel like it has some sort of meaning to me.
I generally don't feel the need to do more research than is necessary to play the part for me, to inform me.
I played the track 'Exciter' backwards and suggested to the judge that what he'd heard was, 'I asked her for a peppermint. I asked her to get me one'. When the judge heard it, his eyes lit up. It was as if he realized how ridiculous the whole thing was.
I'm often asked why there is such a great variation among sentences imposed by Texas judges. I can only quote the Texas judge who was asked why a killer sometimes doesn't even get indicted and a cattle thief can get ten years. The judge answered: "A lot of fellows ought to be shot, but we don't have any cows that need stealin".
For the most part, my characters don't talk to me. I like to lord over them like some kind of benevolent deity. And, for the most part, my characters go along with it. I write intense character sketches and long, play-like conversations between me and them, but they stay out of the book writing itself.
I dont categorize characters into one syllable. These are fully-rounded characters that I dont judge; I just play them.
I do always feel very proud and flattered by being asked to be a part of American productions playing American characters.
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