A Quote by Kim Cattrall

I realized that so much of the pressure I was feeling was from outside sources, and I knew I wasn't ready to take that step into motherhood. [...] Being a biological mother just isn't part of my experience this time around.
Being a biological mother just isn't part of my experience this time around. However, I am a mother who continues to give birth to ideas and ways of experiencing life that challenge the norm.
A friend of my mother's, Irene Lopez, was a Spanish dancer. She saw me bopping around the room and said to my mother, 'Rosita might have talent. Can I take her to my dance teacher?' There was no thought of a career at that time, but I knew I loved the attention, and that's so much a part of being a performer.
We've never been in a time where mothers - parenthood, but particularly motherhood - is so fetishized. There's a whole industry around motherhood and mother-daughter bonds. And certainly when my mother was sick I found there was an incredible expectation for me to tell everybody how we were having this bonding experience and how healing it was.
For me, I think that I don't like feeling pressure from outside sources. I'd rather put the pressure on myself and push myself to do it as good as I can.
I think it's still difficult to write about motherhood and anxiety, that talking about not wanting to be a mother or feeling ambivalent about motherhood makes people uneasy. The ambivalent mother is certainly much more interesting.
It's not enough just to be a mother. It's not only the social pressure on mothers by certain kinds of feminism and other sources. There is also economic pressure on them.
We knew the time would come that we'd have to step down because we'd been winning Oscars for 15 years. I discovered this one day when I got home, my mother was reading a newspaper and she said, 'Again? What are you doing in the papers?' And I realized if my mother thought that of me, what would my enemies think?
I don't really put too much pressure on myself. The only time people feel pressure is when they put it on themselves and listen to the outside stuff. I have great teammates and great coaches that do the right things around me that allows me to just focus on the game of football.
I knew that love was around. I truly believe my mother loved me. But feeling it all the time? I didn't.
Being in the spotlight, you're always picked apart. It's not easy. But over time I've realized that you can't please everyone and when you feel overwhelmed, just take a step back. Love yourself first.
I always knew my mother loved me, but I also knew just as surely that there were moments, hours, days, when she could hardly cope with her own life, much less motherhood. Often, these episodes came without warning, like a change in weather, and so I became a meteorologist of her dysphoria.
Not really, definitely not from any outside sources. If there was any pressure it was just from ourselves. We just wanted to make sure that what we were doing was right. But, you know, when you're dealing with any kind of art, I think pressure really doesn't help at all. All you can do is give what comes out of you - and that's what we did.
The best art is realized when you can share the experience of making of it and not just the presentation of it, so that the audience is part of the creation and not just part of the consumption. Then it becomes much more full-bodied and robust.
I think the only reason I wanted to do modeling, really, was because I knew I wasn’t ready to act; I knew I didn’t have enough life experience, and I knew that doing photo shoots was a way of acting. Playing a character each shoot and being able to just emerge yourself in these awkward experiences - it was amazing.
I think the only reason I wanted to do modeling, really, was because I knew I wasn't ready to act; I knew I didn't have enough life experience, and I knew that doing photo shoots was a way of acting. Playing a character each shoot and being able to just emerge yourself in these awkward experiences - it was amazing.
People should go to the works and experience them. Because just having an idea or picture in mind is absolutely not the experience that's necessary. Even just landing in Albuquerque or Salt Lake City or Las Vegas was immediately part of the experience. And then you'd get in a car from the airport and take these very long trips - in Michael Heizer's case, it was three hours by car to get to his work. And then there's walking around and into the piece and seeing it from different angles. The kinetic experience of being a part of it physically was very important for me.
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