A Quote by Kim Cattrall

Vulcans are so smart. There's no excess; it's just enough. I learned coming away from the film that less really is much more. Sometimes, as a human, you get so discombobulated with emotions, but this was easier, because it was s o clean to play.
On the stage you can get away with imposing the emotions on yourself, but with film it really has to come from inside. It's much more intense.
TV becomes easier because you get to spend time with that character. It's going to go on for a while, and the more you know something, the easier it becomes, the less nerves you have about it, and the better it is for improv because you have that camaraderie between cast regulars. In film, it's harder because you got to get in and get out.
The older you get, the easier it is to get injured. But what I've learned the hard way is that the more excess weight you have, the more likely you are to get injured doing everyday things.
The idea is to make the script out of a political analysis and then to convey that - sometimes in poetry, sometimes science, sometimes all it takes is a film. The film itself is less and less spectacular because I think very strongly now the more spectacular you are, the more you are absorbed by the things you are trying to destroy.
If you're a playwright, unless you're really lacking in get-up-and-go, you can always get your play up somewhere. You can't necessarily make a living doing it, but theater is about meeting an audience. Plays are not easier to write necessarily, they take less time to write. If you get them up, it's a much more rough-and-tumble kind of existence. I think it's, from my perspective, easier than novel writing.
I've made more mistakes than anyone I know. Sometimes I learned something, and sometimes I just find myself doing it again. It makes me mad when I wasn't smart enough to learn the first time. You just think it's going to be different the next time, and it's not, as it turns out.
I find it really funny that men can always get away with being a ladies man. Everyone thinks it's really cool. But a girl can't really date boys all the time because everybody looks down on her. I think boys get away with things so much easier.
The longer I stay clean, the better my beats are getting and the easier it is to zero in on one idea. Because I really want to, often, try to get an idea across. I can really get to the essence of a song better if I'm clean and I'm not waking up with a hangover.
All I've learned is that you need the studio system sometimes, if your budget is a certain size, and other films you can do independently. When I think of a studio, I generally think of distribution. Since I'm a director, I have a similar creative experience on every film I do, because I can control that. But then it's a different film, I think, as it reaches the public, depending on the way it's marketed. I don't know. I haven't learned much of anything. Sometimes you need them, sometimes you don't. Sometimes they want you, most of the time they don't.
Maybe those sorts of yes-or-no life-and-death decisions are easier to make because they are so black and white. I can cope with them because it's easier. Human emotions, well. . .they're just a fathomless collection of grays and I don't do so well on the midtones.
People don't get that being a musician is a job, they don't get what the work takes. And that's just because you're living a dream, so everyone who's observing it from the outside can't really empathize with how much work it is because you're fortunate. And it's a kind of competition with yourself to stay away from all of the excess, whether it's booze or drugs or just the late nights with the addiction to watching the sun rise in some weird part of the world. But when you meet the other musicians, there's generally a spiritual exhaustion that you connect with.
For some people, it's very easy to be spontaneous and they can pour out the most wonderful stuff. But it's really hard to exert control over it, to think, 'Well, this could be different. This could go in the opposite order, there could be more here and less there.' For other people, it's much easier to have rules and a methodology, but much harder to let loose and allow their feelings to come pouring out on the page. They're more shy or they're just more distant from their emotions. I think everybody starts with one or the other.
I learned that sometimes our struggles are a little bit bigger than us and talking about them and coming through and having the courage to get out of them. I learned how many I touched and inspired through the journey of 'Idol' because I was just singing on the show. I wasn't really being an advocate for anything.
... while the Republicans are smart enough to make money, the Democrats are smart enough to get in office every two or three times a century and take it away from 'em.
Sometimes you get involved in a film because you just love making movies and you want to keep working. Sometimes you're lucky enough to find something that you really care about. Therefore, now I'm emphasizing developing my own projects and writing my own screenplays, so that I can do exactly what I like to do.
Sometimes it's hard to play someone so similar to you, because you can muddy the character. Often, it's easier to play someone further away from you, because it's clearer who they are.
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