A Quote by Kim Cattrall
The most difficult thing about my job is that I do a lot of 19-hour days. It's really difficult to have a life, never mind a relationship. I don't have any regrets, really. I'm quite content. I'm very stubborn and persistent. I just keep working.
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I was raised with a single mom and we had a very specific, very particular relationship. She worked with me and my job. I was almost three and we traveled everywhere together and she was really in my life in a really profound way. The most significant relationship of my life. It was beautiful and also an incredible, difficult struggle. I know how creative that life is, and how difficult it is to figure it out.
It's so difficult to actually come up with ideas that you really fall in love with, you know? That's the most difficult thing about filmmaking - and that's my main challenge in life.
I have a really, really difficult time with dramaturgy sometimes in America, because I write about other cultures. I write about a culture that is very difficult, it is very foreign to a North American. A lot of people don't know about what's happening.
I had a very wise person tell me that he thinks marriage, when you're younger, you keep thinking you can fix things. That's what people do. And you can't really fix anything. It shouldn't be a massive difficult thing every day. Life's difficult enough.
I have realized that you can close yourself off to life if you put walls up, but it's a difficult thing ... You can't see over, people can't see in, and you also can't see out. So I've gotten quite comfortable with just being unafraid. I keep saying the same thing: it's not about being fearless but really just embracing the fears and using them.
Quite a lot is required of writers these days in terms of, if not promoting the work, then being a representative of the work. It's a difficult thing, really.
On the whole, dialogue is the most difficult thing, without any doubt. It's very difficult, unfortunately. You have to detach yourself from the notion of a lifelike quality. You see, actually lifelike, tape-recorded dialogue like this has very little to do with good novel dialogue. It's a matter of getting that awful tyranny of mimesis out of your mind, which is difficult.
The most difficult thing about painting is the self-discipline. When I finish a job, I give myself a few days, but then I have to discipline myself quite fiercely if I want to do some painting that's worthwhile. Otherwise, you're just doodling. It's much easier when you're just told what you have to do.
Yes, it's a very difficult thing to do, to promote a record, do television shows, and to still want to remain private, it's really quite difficult to explain to people what you're trying to do. I mean I'd actually quite like to be a recluse, but you know, you've got to promote the record as well.
The Tom Green I got to witness and see inside the 'Big Brother' house, I would say he was probably the most difficult to live with because he is literally a roller coaster. You don't really know which Tom you are going to get on an hour-to-hour basis. And that was kind of difficult.
The thing about Stephen Schwartz is that, while it may be difficult to learn - it's a little bit like[Stephen] Sondheim; Sondheim is quite difficult to learn - but, once you have it in you: it never leaves you. It becomes some of your favorite music; it really does.
Back in the day I wanted to be a James Bond girl and I got really close to it too, but I didn't. But now it's just really about enjoying who I work with, the kind of atmosphere that I'm working in, and the character. That's why I think nowadays I tend to really try to be somewhat picky any more to what I do, not just going out to get a job. And sometimes you have to do that, you have to work just to work. But I'm very fortunate to say that I'm actually working at a job that I absolutely love and enjoy and everybody there I enjoy so much and I feel very blessed.
The relationship between art and a job is not quite linear, but I really love any and all manifestations of art, really respect any kind of artistic impulse, whether it's paintings and sculptures or really good filmmaking or music. I really see the relationships between these different mediums as very fluid.
Well, I Am... I Said was a very difficult song, very difficult because I really had to spend a lot of time thinking about what I was before the song was written.
I'm still trying to decide. It's a really difficult one because I really enjoy my time in the Air Force. And I'd love to continue it. But the pressures of my other life are building. And fighting them off or balancing the two of them has proven quite difficult.
Writing a book is as difficult or as easy as any other job. Everyone's job is difficult. So to fetishize difficulties in writing as something extra-difficult or something very privileged - I don't buy that at all.
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