A Quote by Kim Deal
We were over in Europe all the time their posters were up. That's why I liked them. So now all of a sudden they're going to get a band hat on, and say people aren't acting the right way?
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We had to do something at [a festival in Washington, D.C.]. I remember Chris Martin, by then we all knew him, there were certain people who were regulars. He would say, "Oh, my God, you guys, I think I'm going to throw up." It was a daytime festival, and they went on right after some really heavy band, and he was saying, "I don't think I can do this. I think I'm going to throw up." He was in the bathroom thinking he was going to be sick. He said, "They're going to hate us." In fact, they hated them. They hated Coldplay - did not go over well. His instincts were correct.
You were probably steered benignly away from things at school when you were a kid - things you liked - on the grounds that you would never get a job doing that. Is that right? Don’t do music. You’re not going to be a musician. Don’t do art. You're not going to be an artist - benign advice, now profoundly mistaken.
One day, we were going to the studio for John's recording session, and as we were leaving to get to the studio, in the elevator, all of a sudden, John leaned over and gave me a kiss. He said, 'I've been waiting to do this all day.' I said, 'What are you talking about?' What happened was, he'd liked me.
When I was a little boy I used to borrow my father's hat, and make a press card to stick in the hat band. That was the way reporters were always portrayed in the movies.
Playing big films on festivals is SO misguided. And I know where it comes from: it comes from the head of the festival thinking that he'll play with the big guys, like that's the way to do it and it's SO not the way to do it. It's where Cannes went wrong, it's where Toronto is going wrong. I mean, I got off the plane in Cannes this year and the streets were paved with posters from studio movies. Who cares about that? Why come to Cannes for that? You're going to be able to see all those films anyway - you're not going to be able to avoid them, so I don't get it. Obviously.
The only reason you even start a band is so you can hang out with your friends all the time, but somewhere along the line, it just ends up becoming a job. You were doing it because you were like, 'I never want to have to get a job,' then all of a sudden it becomes the biggest job you could ever imagine.
Women became almost our bigger audience. Teenage girls went crazy for my movie. I saw it. I went to theatres all over and there were gangs of girls going and screaming. There were kids that were 10 or 11 years old when September 11 happened. They've been told for years they're going to get killed, they're going to get blown up. Every time you go on an airplane, X-ray your shoes because you're going to get blown up. Terror alert orange, don't travel. So, people have a reaction and they want to scream. Horror movies have become the new date movie.
I grew up with my cousins, who were as close as brothers, and frankly, I didn't like what girls were expected to do. I liked horseback riding, playing football, going to rodeos. I wanted to be in jeans all the time, and I couldn't figure out why I was supposed to conform to a certain standard, so I didn't.
If I'm paying people, and they're not handling my business right, I have to check them. 'Cause sometimes you're nice, and people don't jump on what they're supposed to do, but if you go in there screaming at everybody - 'Look, why aren't my posters up?' or 'Why wasn't my single out on this day?' - then they jump right on it.
Handwritten political posters - often composed in an artless and unadorned style, usually just words on plain white paper - were ubiquitous in South Korea in the 1970s and 1980s and were one of the few outlets available for expressing political views. Most posters were anonymous and put up under the cover of night.
Far too many people opened their hearts and lives at the drop of a hat. Why give someone that power over you? Why endow them with the ability to hurt you that much? Let someone in and you were asking for an emotional kicking some day.
Ridding Iraq of weapons of mass destruction. That was the whole idea, right? That‘s why we went. I am reluctant to let that fact disappear down the memory hole, because if — as the war ends, or at least starts to end — if, at this time, the history of the war is written as us going there to topple the regime of a bad man when that frankly isn‘t why were told that we were going there — Aren‘t we still at risk of making this horrific mistake again? And, aren‘t we letting the people who foisted the WMD idea on us, not many years ago, aren‘t we sort of letting them get away with it?
I appreciate the few people who say nice things about me and say, 'Gee, you were right about this,' or, 'You were right about that.' But frankly, I spend my time looking ahead. I've got 23 grandkids, and I'm concerned about what their world is going to be like.
Now we have to understand that slavery would not have ended if it was left to the Africans alone, Now, Europe understood that what they were doing then was unjust, but imagine the propaganda from kings and queens of Europe to convince their people that we were cannibals, idol worshipers, horrible people, bastards, godless monkeys.
In L.A., I was meeting people who were all actors. My mind started to open up to what acting was. I didn't realize that Brad Pitt was a real person. I didn't think he was a robot or a machine, but I thought you were just born into acting - that it's a family tree, kind of like NASCAR. No one can just say, 'Hey, I'm going to be a NASCAR driver.'
I was a lousy academic. I spent most of my time in the cafeteria. But I met fantastic people from all kinds of fields; law, medicine, history, and they eventually dispersed all over the world to do their fieldwork. I liked the way these people committed to the long term in a sincere, visionary way. Their projects weren't about "next season." They were ten-year commitments. They were lifestyle choices that had traditions of fieldwork built into them - moving around, living on location, discipline, a real rigor for research.
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