A Quote by Kim Dong-joo

What should I do? The person I really like...I told him not to play with bad people. But he won't listen. Really, what should I do? — © Kim Dong-joo
What should I do? The person I really like...I told him not to play with bad people. But he won't listen. Really, what should I do?
I really like the director [for Weeds]. I don't know if you've spoken to him yet but he's really, really intelligent. He was just really kind when I met him and nice and really told me why I should play the part...and kind of really didn't argue with him. He's just really, really smart and assembled these really great people. I felt like he really knows how to enlist his intelligence to get you - I don't know - he's really hard to argue with I find.
People have mentioned, 'Maybe you should try to be more sexy. Look at how this butt stuff propelled this person to the top of the chart; it's amazing!' And I'm like, 'What if I really want to sing something to people?' I speak my mind. I want to be that person people feel they can listen to.
I really feel that actors should really know who they are as characters; they should really study their lines; they should be prepared; but once they come to set, for me the most exciting way to shoot a scene is to really find it, really kind of grind your way through it, until you feel like you have something that you can put together.
I don't know if I am cut out to playing a bad character or not - I really should give it a shot. I would like to play the voice of a baddie, but that's really just a cop-out!
I always tell people that if you really want to know somebody, they should listen to that person's interview with me. I spend a lot of time with my guests.
I wasn't really actively trying to pursue music, so I was really just allowed to create freely without any pressure or outside influences like, 'Oh, I should be making this' or 'I should be collaborating with this person.' It was just kind of like whatever I wanted to do. I was just having fun with it.
I'm a grown-up and I'm a creative person so I should try to give something to that and see what I can make with that. And not sit around listening to people be like, 'You really should be on an HBO show. You'd be great on an Amazon series.' You're like, 'Thank you, okay. I don't have any offers.'
There was a lot that was tricky about playing with [Thelonious Monk]. It's a musical language where there's really no lyrics. It's something you feel and you're hearing. It's like an ongoing conversation. You really had to listen to this guy. Cause he could play the strangest tempos, and they could be very in-between tempos on some of those compositions. You really had to listen to his arrangements and the way he would play them. On his solos, you'd really have to listen good in there. You'd have to concentrate on what you were doing as well.
A good girl in Afghanistan should be silent, should not talk about her future, should listen to your family, be like a doll so that everyone can play with her.
This is a bad story.” “Sorry. I’m really sorry. I shouldn’t have told you.” “No, you should,” I say. “But—” “I don’t want there to be bad stories and me not know them.
I would like to be mates with Richard Branson because I've hung out with him and he is just the loveliest person and obviously a very rich guy and has a lot of stuff going on, but he's actually a really, really sound person, and he's really positive and he's got a really good energy, so I'd like to hang out with him a bit more.
My activism really is for myself, because I see places in the world where I feel I should be. If there is something really bad, really evil, happening somewhere, then that is where I should be. I need, for myself, to feel that I have stood there. It feels a lot better than just watching it on television.
If any man should conceive certain things as being really good, such as prudence, temperance, justice, fortitude, he would not after having first conceived these endure to listen to anything which should not be in harmony with what is really good.
The explanations for the things we do in life are many and complex. Supposedly mature adults should live by logic, listen to their reason. Think things out before they act. But maybe they never heard what Dr. London told me one, Freud said that for the little things in life we should react according to our reason. But for really big decisions, we should heed what our unconscious tells us.
I've never really had a chance to play a bad guy, and that's something I've always really, really wanted to do. I wanted to experience that really dark side of a person.
I'm not a director who feels I should be in your face all the time. I really want you to watch the actors and listen to the play.
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