A Quote by Kim Edwards

I love 'Memory Keeper's Daughter,' but in some ways I think 'The Lake of Dreams' is a stronger book. I was able to tell the story I wanted to tell. That's all you can ever do as a writer. From there on you have no control over it.
I think the main thing over time is that you gain confidence and are able to tell your story better and stronger.
I've wanted to direct for a long time, but it had to be a story I wanted to tell. The writer's job is to find the story that he should tell.
If a writer is to tell his own story - tell it slowly, and as if it were a story about other people - if he is to feel the power of the story rise up inside him, if he is to sit down at a table and patiently give himself over to this art - this craft - he must first have been given some hope.
You can't tell a doper well under control from a vegetarian book-keeper.
I think the best thing I ever did was never tell anyone I wanted to be an actor. I find if you tell people what you're dreaming about, they'll usually come up with lots of reasons to not chase your dreams.
I loved him in that moment, loved him more than I'd ever loved anyone, and I wanted to to tell them all that I was the snake in the grass, the monster in the lake. I wasn't worthy of this sacrifice; I was a liar, a cheat, a thief. And I would have told, except that a part of me was glad. Glad that this would all be over with soon. Baba would dismiss them, there would be some pain, but life would move on. I wanted that, to move on, to forget, to start with a clean slate. I wanted to be able to breathe again.
That's an L, as in love, and I love you more than I'll ever be able to tell you with words. I want to tell you in other ways. In the way I kiss you. In the way I touch you. In the way I hold you. Won't you let me say it my way, just once? - Swift to Amy
I am waiting for the right story to tell. Just like 'Man of Tai Chi' just seemed to be the right story to tell. So I'm looking for that. Because I really love directing. I love developing the story. I love actors. I love the cinema of it, the way that you tell a story visually.
Whether it's theatre or TV or film, you're hoping you're going to bump into a writer that's got a bit of honour in him, that wants to tell a good story and is able to tell it well.
I can tell you one other story about Rent Control. The lead actress in the film, her name was Elizabeth Stack, and it turned out she was Robert Stack's daughter. The only problem with that - and she was lovely - was that she was basically hired because [Gian Luigi Polidoro] thought she was [film producer] Ray Stark's daughter. And he figured that if he ran out of money, her father would kick in some more. I can still remember the day he freaked out when he realized she was actually Robert Stack's daughter. He was just screaming "Untouchables!" over and over.
Vera said: 'Why do you feel you have to turn everything into a story?' So I told her why: Because if I tell the story, I control the version. Because if I tell the story, I can make you laugh, and I would rather have you laugh at me than feel sorry for me. Because if I tell the story, it doesn't hurt as much. Because if I tell the story, I can get on with it.
And when I was young, did I ever tell you, I always wanted to get inside a book and never come out again? I loved reading so much I wanted to be a part of it, and there were some books I could have stayed in for ever.
The very act of story-telling, of arranging memory and invention according to the structure of the narrative, is by definition holy. We tell stories because we can't help it. We tell stories because we love to entertain and hope to edify. We tell stories because they fill the silence death imposes. We tell stories because they save us.
I really only take roles that I love and that I have some kind of innate compulsion or need to tell that story. Although it's almost like I have no control over it. It's like they choose me.
I don't ever approach anything from the issue first, so I can't tell you that I've thought about tackling universal health care. I'd have to have some great story I'd want to tell, and then universal health care would become part of the way to tell that story.
With the success of 'Spiderwick,' it's allowed me to be able to have the freedom to really be able to tell the stories that I really wanted to tell, that I've always wanted to tell.
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