A Quote by Kim Edwards
I hadn't really thought about this until 'The Lake of Dreams,' but I've set all my stories in places that are familiar to me. It frees me up to spend more imaginative time on the characters.
Related Quotes
I've always set my stories in places I know well. It frees me up to spend more imaginative time on the characters if I'm not worrying about the logistics.
Here's the weird thing about me. I was never one to tell you stories about me. I was always the guy who others told stories about. I was like that up until I was 35 years old. And then I started telling stories about me onstage.
I believe in a set of values I cannot live by. I set high goals for myself, I seek perfection, dream of exotic faraway places. But ultimately, what I long for isn't far away at all. It's in my own backyard. Imperfection charms me, familiar things move me... a celebration of what we have, instead of what we long for. That for me, is glamor.
Women spend 30 percent more time doing household chores. No surprise. But women also spend more time volunteering in their community. And if you add up all of the hours of non-leisure time, women are working more than men. So I thought that was very interesting, and I was surprised about the voluntarism piece, but when you think about it, it makes sense.
I decided that, if I were to write a teen series, I'd want to set it in a place that was familiar to me - Manhattan, where I'd grown up - and I'd model the characters on myself and my friends.
So many of Spielberg's films inspired my imagination growing up. And then there are British films like 'The Full Monty' and 'Waking Ned Devine' that took me to places I really loved, with characters I just thought were amazing. But the films of Luc Besson showed me France - a really cool side of France.
But it's hard for me to pinpoint where all my characters and dialogue come from - imagination or real life. My memoir, of course, was all about my past, and many of the short stories cleave very closely to my life, but the more stories I wrote in the collection, the more that seemed to be invented, but who knows... I think I'm writing about a young woman with acne who shoplifts, but I'm really writing about myself.
Gradually it occurred to me that we spend a great deal of life asleep and that dreams are little narratives, little stories. I thought, 'Who's choreographing this stuff?'
I cut off your hand. I have been living with your grief and your rage and your pain ever since. I don't think-I don't think I had felt anything for a long time before that, but those emotions at least were familiar to me. Love I am not familiar with. I didn't recognize that feeling until I thought I had lost you in Ephrata. And when I thought I was losing you a second time, I realized I would give up anything to keep you-my lip service to other gods, but my pride, too, and my rage at all gods, everything for you.
With 'Sin Nombre,' there are parts that I wish were longer. And with 'Jane Eyre' especially, there were parts that I had to compress that I thought it would have been really nice to spend more time with - to spend with the characters.
People would always try and set me up, which was awkward. You can't set me up on a blind date because she will automatically know more about me.
I see parallels between Karachi and the cities that I was familiar with: a very different place, but in terms of its human stories not really very different at all. That was what excited me about the place - that it was so complex, as difficult to me as an outsider and yet so human in a way that was ultimately very familiar.
It wasn't until 1998 that I ever seriously thought about running for office. And I didn't make up my mind to do that until 1999, and then I ran for the Senate. It was really hard for me.
In my morning time with God, I ask Him to fill all my hollow places with His lavish, unfailing love. This frees me from craving the approval of others and requiring them to fill up my “cup.” Then, if someone takes the time to demonstrate his or her love for me, that's the overflow! I am free to appreciate and enjoy it, but I didn't emotionally require it!
The strange thing about hotel rooms is that they look familiar and seem familiar and have many of the accoutrements that seem domestic and familiar, but they are really weird, alien and anonymous places.
Keeping a lid on taxes is not just good for the taxpayer. It's a powerful way to force government to be more accountable, set priorities and spend smarter. Let me repeat that: more accountable, set priorities and spend smarter - that's what we need to be about.
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