A Quote by Kim Edwards

You don't know when you are immersed in a book what the reaction to it will be, but I feel great about 'The Lake of Dreams.' — © Kim Edwards
You don't know when you are immersed in a book what the reaction to it will be, but I feel great about 'The Lake of Dreams.'
I think that physics is about escaping the prison of the received thoughts and searching for novel ways of thinking the world, about trying to clear a bit the misty lake of insubstantial dreams, which reflect reality like the lake reflects the mountains.
All of writing is a huge lake. There are great rivers that feed the lake, like Tolstoy or Dostoyevsky. And then there are mere trickles, like Jean Rhys. All that matters is feeding the lake. I don't matter. The lake matters. You must keep feeding the lake.
You know, you throw rocks in the lake and scientists will tell you you're raising the level of the lake, but all you get to see is the ripple.
I think there will be a reaction - a reaction will set in against this communal dissociation. You know, man doesn't stand forever, his nullification. Once, there will be a reaction, and I see it setting in, you know, when I think of my patients, they all seek their own existence and to assure their existence against that complete atomization into nothingness or into meaninglessness. Man cannot stand a meaningless life.
I know I can be great. I don't really worry about that word 'star' too much though, 'cause I feel like that's very subjective to the audience. But I know I can be great. I have the will, the want-to. I feel like God has blessed me with the physicals, I feel like for me it's all mental.
I'd like to know about some of the things that they teach down there, like building a lake. If I ever wanted to build a lake, I'd like to know how to do it.
There are certain things that I'll hear about and that I think will make a great book and I put it in a file. Sometimes it's a situation that interests me, and I don't even realize what I'm trying to say about it until I get closer to it. Sometimes the book after that I've written 125 pages of, and I can tell you what the book is after that. I just sort of have a linear progression, but more than anything, the topics land in your lap. I don't feel that I go out searching for them.
"The Diagnosis" is by far my most ambitious book. I such great hopes for it... there was so much I wanted to do with the book. I was extremely insecure about it for several years. Just didn't know whether I would finish the book much less for it to come close to what I intended. I think that for any novel you never know exactly how the book is going to turn out...
I feel like dreams are always a little tricky, you know? But if you just push through the struggles and the hard times, it'll be so worth it in the end because you will be able to get to your dreams.
I love 'Memory Keeper's Daughter,' but in some ways I think 'The Lake of Dreams' is a stronger book. I was able to tell the story I wanted to tell. That's all you can ever do as a writer. From there on you have no control over it.
The truth is, I can never die. For I will be in everything and see you in everything and watch over you. I am your reaction in the water of a mountain lake.
The truth is, I can never die. For I will be in everything and see you in everything and watch over you. I am your reaction in the water of a mountain lake
I feel like every time I start up, it's like a truck you have to get into 15th gear, so you very solely crank into that mental space where you feel really immersed in the world of the book and then you can just kind of go.
Some day, as soon as a book is printed it will be simultaneously put into digital form. That will be a wonderful research tool, but it will never substitute for holding the book. I feel certain that at least within my lifetime, everyone will still be going to the bookstore and buying printed books. Thank God I'll die before I have to worry about whether the printed book itself will disappear. That's something I don't want to live to see.
Most of the books that I've adapted I'm doing because I love the book and I feel like it's a great work of art in itself, and when it's a great book I feel as a director or a writer that I have a responsibility to rise to the level of the original. It makes me try to reach higher.
Some writers are writing one great, big book and just taking all these different avenues towards it. They might seem on the outside to be different, but they're really not. And that's a different kind of mindset. I don't know why it is, but I just feel like I really want to escape myself as much as I can - myself as the artist, or as the writer, or as the thinker - with each new project, because one, it's just boredom, but also, I guess I just feel most comfortable starting a new book if I just feel a little in the dark about it.
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