A Quote by Kim Gordon
Fashion, at modern time, was actually a way for women to go out in the world. There was one painting of a woman sitting at a café, drinking a beer by herself and kind of pretending to read but really watching people, that sort of thing. It fascinated me.
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I combine aspects of fashion, comedy, sculpture, video, painting all kind of in one multimedia sort of curriculum. New York is what gave me that kind of ability or freedom. People come here from all over the world to do something ambitious, and I think New York is really positive in that regard.
I don't think it's something that people would ask a man. Some people make a huge deal out of the fact that I sing about drinking all the time, but I don't think of it as singing about drinking. It's singing about emotions, and sometimes that centers around drinking. To me, I'm writing about things that I'm going through that mean something to me, but some people just reduce it to: "She must drink all the time." But if a guy sings about that sort of thing, no one really looks twice.
In fashion, of course, the way that women are dressed now - and also a vision of the modern woman, the woman of today. She's very feminine, but at the same time, extremely free. A Saint Laurent woman is actually very Parisian. She's not really a man's equal, she's his adversary. I worked on the catwalk with two models who worked with Yves Saint Laurent for more than 10 years. They're not just gorgeous models, they're more than that - they're very smart and very beautiful. They're more than models, they're really unique; it's personality. It's more than just fashion.
I've always enjoyed being in the background, sitting in a cafe, watching people. But now, when I sit in a cafe, sometimes people watch me. It's a challenge. But it's usually people who want to say 'your book transformed my life', or something... so then I'm joyful. One moment before, I didn't want them to recognise me, but when they do, I'm glad.
I love watching other women when I'm sitting at a cafe.
The enemy of the modern woman is not women who like fashion or are writing about it. The enemy is stereotypes that come from all places and that tell you to be one way or the other. The enemy is really real sexist people, like Todd Akin, and people who are violent against women physically or sexually.
The beer sold here in the United States is sweet and watery and lacking in taste and overcarbonated and just generally the lamest, wimpiest beer in the entire known world. All the other nations are drinking Ray Charles beer, and we are drinking Barry Manilow.
When I was home, traditionally since I was young, I'd write in cafés. That was the romantic notion in 1963. Café atmospheres back then were different. The café life really stemmed from the Parisians' idea of it, with poets struggling over their poems and drinking coffee. No music, no sounds, maybe a little jazz, or soul, but mostly nothing. Now you go into a café and the music is really loud, people are having business meetings, they are on their cellphones. It changes from generation to generation.
I think my mum was really very ahead of her time. She wore very little makeup. She really explored the way that she wore clothes in a very honest way. She wore a lot of vintage stuff and mixed it with bespoke men's tailoring and things like that. That was a huge influence on me, seeing a woman in the spotlight carry herself in that kind of way. But mostly, for me, it was just that she was an incredibly honest and sort of natural person.
My fashion has no time, no season. It doesn't go out of style. If someone decides that clothes can go out of fashion, then you are deciding a woman can go out of fashion.
I feel that the thing about film and particularly about TV, actually, is it's being created now. We're living in the best time so far because there are many more women writing and women directing, women producing, and people are finally catching on to the fact that women want to go and buy tickets to see female characters and more than one in a film. So I actually think it's a very fertile time to be a woman over 40.
First there was a young guy sitting in front of television in a T-shirt drinking beer with his mother, then there was an older fatter person sitting in front of television in a T-shirt drinking beer with his mother.
It's kind of a collaborative relationship. Westworld requires the investment of the people watching, and that's what I love about it. It changed my life. When I read the script, I was like, 'This is going to change the way I think about my own life. The way I see myself, the people around me, and the way I choose to exist.' That's what great material does. It transcends just being pop cultural entertainment, and actually involves the mind. It's really fun, and when I see the reactions and theories it makes me really excited. That's why I act.
Women sometimes really love to look at other beautiful women on the screen. But they don't look at a woman the way a man looks at a woman. They want to be that woman. They like if a woman is beautiful or sexy, especially if she's powerful. They like to see her catch a man, or to be powerful in the world. I think this is why a lot of women love noir films and classic films because they can really identify with these really strong, beautiful women. That's the kind of power that women have lost culturally.
I read the 'New York Times', I read 'The Nation', I read 'Newsweek', I read 'Time Magazine', I read 'Politico', I read 'Mediaite'. This is what I do! I read every day, I have interests, I'm like everybody out there who's watching, who's out there watching, you know?
We were sitting on the bus one day and there were 5 of us hanging out. There was only one beer left in the cooler and we actually all took a little cup and split it. It was a pathetic day in a rock and roll when five grown men have to be sitting there sharing a beer.
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