A Quote by Kim Gordon

There's the added element of adrenaline if you're performing. You're aware of spatial relationships and the music. — © Kim Gordon
There's the added element of adrenaline if you're performing. You're aware of spatial relationships and the music.
Polyphonic painting is superior to music in that there, the time element becomes a spatial element. The notion of simultaneity stands out even more richly.
Spatial art does not begin with a poetic mood or idea, but with construction of one or more figures, with the harmonizing of several colors and tones, or with the devaluation of spatial relationships and so on.
I think what art is always doing is making us see the world so differently, and I don't mean just colors and light, but re-thinking relationships, spatial relationships, psychological relationships ... those who gravitate to the art world actually want to be puzzled.
The really important facts were that spatial relationships had ceased to matter very much and that my mind was perceiving the world in terms of other than spatial categories. At ordinary times the eye concerns itself with such problems as where? — how far? — how situated in relation to what? In the mescaline experience the implied questions to which the eye responds are of another order. Place and distance cease to be of much interest. The mind does its perceiving in terms of intensity of existence, profundity of significance, relationships within a pattern.
The adrenaline of performing on stage to a crowd - there's nothing like it.
The physics of the 21st century shall deal essentially with non-spatial matter and non-spatial mechanics.
A recreation is not the same as a remix. A recreation has a new element added to it. There are new lyrics added to it. A new composition is introduced within the existing one and I feel that's tougher to do.
The adrenaline of performing live in front of an audience is a feeling that's hard to replicate.
Acting in film, you know, I hear all the time, people say 'You did so much better than I thought you would.' So there's an added element of surprise in film, different than in music.
I'm addicted to the adrenaline of performing, and I think when you're used to having that high, you look for it in other things.
Gravity is neither a force nor a consequence of any space-time curvature. It is simply an orderly spatial illusion to non-spatial observer/s.
These days, DJ's are the ones who are bringing fresh sounds to the music world. In fact, they are creating a new spatial music. They are the space transformers of the universe.
I was diagnosed with a severe temporal spatial deficit, a learning disability that means I have zero spatial relations skills. It was official: I was a genius trapped in an idiot's body.
Performing on stage is addictive. The adrenaline rush is exhilarating. When I stop touring for a couple weeks, I get antsy.
I think it's funny because on 'Glee Project,' there's that added pressure, but with 'Glee,' there's no element of competition. No one's trying to dance better than anyone. But there's that added pressure of, 'So many people are going to watch 'Glee' this week. If I don't nail this dance, I look like an idiot.'
I am convinced that an electronic machine, no matter how smart and intelligent, being still a mere spatial structure in concept, can neither innovate nor even understand the self-evident proposition: 'No spatial structure can be a representation of any feeling'. Such innovation can only be a work of a non-spatial mind, like a human being, and only such innovation, it should be acknowledged, can pave the way for further scientific achievements.
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