A Quote by Kim Gordon
There's only so many small shows you can do. A lot of the smaller things are more side project things. Not everything is appropriate for Sonic Youth to do.
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One of the key guitars in my career has been an early-Seventies Fender Telecaster Deluxe that I had before Sonic Youth started and that I played pretty much throughout Sonic Youth.
I'm not saying Sonic Youth was a conceptual-art project for me, but in a way it was an extension of Warhol. Instead of making criticism about popular culture, as a lot of artists do, I worked within it to do something.
Sonic Youth was not a singer-songwriter band. It was an electric collective. And, whatever else people's perceptions of Sonic Youth were, it was always about putting together a time-based composition - and that is exactly what songwriting is, in its classic form.
For some reason, juggling things makes everything work better. That's just how we operate. It just makes the other project more of something to look forward to. I think the more you keep things going, the more it helps the other project.
You're a smaller fish in the U.S. There's just so many more TV shows, and actors, and actresses. Where as in the U.K. you're in a much smaller market there.
I could have probably raised them in L.A. and they would have been great and had so many things at their fingertips and been exposed to so many things. But we travel a lot, so I don't think that moving out of town is sheltering the girls at all. Maybe protecting them a little bit more, trying to prolong their youth.
I never really thought of myself as a musician. I'm not saying Sonic Youth was a conceptual-art project for me, but in a way, it was an extension of Warhol. Instead of making criticism about popular culture, as a lot of artists do, I worked within it to do something.
As far as we're concerned, we're always Sonic Youth, and we're always making a Sonic Youth record. We just see it so much more as a continuum than a periodic thing. We're just in the studio making the next record, and we don't relate it to anything other than what's going on at the moment.
I could've written songs about, for example, the Paris attacks as they happened and have the song out the day after, but doing this project and following the news made me realize how much I miss deeper nuances in the news reporting. There's already so many quick opinions and angles being thrown in your face, so I avoided writing about things like that and tried focusing on the smaller, more seemingly insignificant things. The things you would find in the back of the newspaper or the back of your mind.
During the whole time in Sonic Youth, I was happy to put my energy into that. It would have been very difficult to do a solo project.
We must not drift away from the humble works, because these are the works nobody will do. It is never too small. We are so small we look at things in a small way. But God, being Almighty, sees everything great. Therefore, even if you write a letter for a blind man or you just go sit and listen, or you take the mail for him, or you visit somebody or bring a flower to somebody-small things-or wash clothes for somebody, or clean the house. Very humble work, that is where you and I must be. For there are many people who can do big things. But there are very few people who will do the small things.
LeBron doesn't have any weaknesses, or he doesn't have a glaring weakness. So you've got to pick up on the smaller things to try to make him uncomfortable. Like knowing which side he likes to shoot threes off the dribble, which side he likes to drive. One side he'll drive left more often, and the other side he'll drive right more often.
I guess I'm a really analytical person, but when I'm writing, all that stuff goes behind a screen. Analysis and taking things apart is really important and really interesting, but it's the direct opposite of creating something, which has to do with taking things and putting them together and hoping to make something unique that's more than the sum of its parts. And you can't do that with analysis, you can only take things into smaller and smaller pieces.
And it can take a lifetime, a life of many years, to accept the incongruity of things: that a small moment can sit side by side with a big one, and become part of the same.
One of the things that's been nice about my career is that I've been able to do so many different things, and variety keeps your creative soul fulfilled. I'm constantly looking to find new things to do. It's just project to project for me. You never know where the next thing's going to come from.
It's more like there are some really obvious things that are different and then lots and lots of smaller things, lots of things about who lives and who dies, civilizations that rose and fell, all the way down to individual characters. That becomes the state of where you left your galaxy. The endings have a lot more sophistication and variety in them.
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