A Quote by Kim Harrison
"We were the pair. One too afraid to feel anything lest she lose control of her ironclad hold on her emotions, and the other so hungry to feel anything that she´d risk her free will for one night of fun.".
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She was wearing a pair of my pajamas with the sleeves rolled up. When she laughed I wanted her again. A minute later she asked me if I loved her. I told her it didn't mean anything but that I didn't think so. She looked sad. But as we were fixing lunch, and for no apparent reason, she laughed in such a way that I kissed her.
One of my aunties inspires me beause of how easily she shows her emotions, and she isn't ever afraid to cry. My mum, for her work ethic - she might not show her emotions in public very much, but she's a total power woman. My grandma, who watched four of her children die before her, she's a powerhouse.
If the next car passed is blue, Violet will be okay, she thought. If it's red, A will do something horrible to her. She heard a growl of an engine and shut her eyes, afraid to see what the future might hold. She'd never cared so much about anything in her life. Just as the car was passing, she opened her eyes and saw a Mercedes hood ornament. She let out a long sigh, tears coming to her eyes once more. The car was blue.
Let me explain it to you then. I just had a beautiful girl trust me enough to touch her and see her in a way no one else ever has. I got to hold her and watch her and feel her as she came apart in my arms. It was like nothing else I'd ever experienced. She was breathtaking and she was responding to me. She wanted me. I was the one making her spiral out of control.
The girl was lighter without her heart. She danced barefoot on the hot roads, and her feet were not cut by the glass or stones that studded her way. She spoke to the dead whenever they visited her. She tried to be kind, but they realised that they no longer had anything in common with her, and she realised it, too. So they went their separate ways.
She wanted to have him hold her and tell her all the demons were pretend, that there was no monster in her closet, that everything would be okay. But that was a lie. The demon was in her head, telling her she was too fat. She had to get the demon out. But she couldn't do it by herself.
The art of not experiencing feelings. A child can experience her feelings only when there is somebody there who accepts her fully, understands her, and supports her. If that person is missing, if the child must risk losing the mother's love of her substitute in order to feel, then she will repress emotions.
You cannot hammer a girl into anything. She grows as a flower does, she will wither without sun; she will decay in her sheath as a narcissus will if you do not give her air enough; she might fall and defile her head in dust if you leave her without help at some moments in her life; but you cannot fetter her; she must take her own fair form and way if she take any.
In a way, her strangeness, her naiveté, her craving for the other half of her equation was the consequence of an idle imagination. Had she paints, or clay, or knew the discipline of the dance, or strings, had she anything to engage her tremendous curiosity and her gift for metaphor, she might have exchanged the restlessness and preoccupation with whim for an activity that provided her with all she yearned for. And like an artist with no art form, she became dangerous.
How will a person know, Selina, when the soul that has the affinity with hers is near it?" She answered, "She will know. Does she look for air, before she breathes it? This love will be guided to her; and when it comes, she will know. And she will do anything to keep that love about her, then. Because to lose it will be like a death to her.
Her [Eleanor Roosevelt] father was the love of her life. Her father always made her feel wanted, made her feel loved, where her mother made her feel, you know, unloved, judged harshly, never up to par. And she was her father's favorite, and her mother's unfavorite. So her father was the man that she went to for comfort in her imaginings.
She was the first person on either side of her family to go to college, and she held herself to insanely high standards. She worried a lot about whether she was good enough. It was surprising to see how relieved she seemed whenever I told her how amazing she was. I wanted her to feel strong and free. She was beautiful when she was free.
I sit on the couch watching her arrange her long red hair before my bedroom mirror. she pulls her hair up and piles it on top of her head- she lets her eyes look at my eyes- then she drops her hair and lets it fall down in front of her face. we go to bed and I hold her speechlessly from the back my arm around her neck I touch her wrists and hands feel up to her elbows no further.
At night, the house thick with sleep, she would peer out her bedroom window at the trees and sky and feel the presence of a mystery. Some possibility that included her--separate from her present life and without its limitations. A secret. Riding in the car with her father, she would look out at other cars full of people she'd never seen, any one of whom she might someday meet and love, and would feel the world holding her making its secret plans.
She was sound asleep when he came to curl up next to her. She grunted. "Don't worry. I'm too drunk, I won't do anything," he murmered. As she had her back to him, he placed his nose on her neck and slid his arm underneath her to be as close to her as possible. Short strands of her hair tickled his nostrils. "Camille?" Was she asleep? Was she pretending? No answer either way. "I like being with you." A little smile. Was she dreaming? Was she asleep? Who knows.
I want my little girl to tell me who she is so I can encourage her and not impose my desires for her on her life. I want her to dream big and to know that if she is willing to earn it, she can have anything - and become anything.
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