A Quote by Kim Hyesoon
It is difficult to disturb the common usage of Korean that is bent to the perspective of a male-oriented society. Korean society is based on both a politics and history that have been disguised as a solid society of solid male poems, a solid written language, fixed rules of how to write literature, and a narrative language.
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It's difficult for me to feel that a solid page without the breakups of paragraphs can be interesting. I break mine up perhaps sooner than I should in terms of the usage of the English language.
Male and female represent the two sides of the great radical dualism. But in fact they are perpetually passing into one another. Fluid hardens to solid, solid rushes to fluid. There is no wholly masculine man, no purely feminine woman.
I thought that perhaps the most creative mix for a society would be nine parts solid worker from institutions like MIT to one part poet from Marrakech, but in spite of the fact that I myself had been trained to be one of the solid workers, which meant that all of my sympathies lay with that group, I would not surrender the poet. The problem was to find him.
I believe from my many experiences that the spirit world is more real, more solid, than this earth in which we live. In truth, ours is a world of illusion. All that seems so solid is yet just a mass: molecules locked together, forming an impression of solid matter that in fact is not solid at all.
The great force for forging a society into a solid mass has always been war.
Every society in the history of man has upheld the institution of marriage as a bond between a man and a woman. Why? Because society is based on one thing: that society is based on the future of the society. And that's what? Children. Monogamous relationships.
Carbon dioxide is unusual because it doesn't go through the usual three phases of matter, from solid to liquid to gas, but it goes straight from solid to gas. The volume of the gas is much greater than the volume of the solid. When a solid turns into a gas, we say it sublimes. The process is sublimation.
Knowledge is no longer an immobile solid; it has been liquefied. it is actively moving in all the currents of society itself
The imaginations which people have of one another are the solid facts of society.
Male and female have the power to fuse into one solid, both because both are nourished in both and because soul is the same thing in all living creatures, although the body of each is different.
There is a lot of extreme emotion in Korean film. It's because there are a lot of extremes in Korean society.
Mainly, I'm doing my thing, and I hope people like it. I don't say, 'I'm going to write something radical and hope it reverberates throughout society.' The goal is to write a solid, entertaining, engaging show.
Male and female have the power to fuse into one solid, both because both are nourished in both and also because soul is the same thing in all living creatures, although the body of each is different.
There is something false in this search for a purely feminine writing style. Language, such as it is, is inherited from a masculine society, and it contains many male prejudices. We must rid language of all that. Still, a language is not something created artificially; the proletariat can't use a different language from the bourgeoisie, even if they use it differently, even if from time to time they invent something, technical words or even a kind of worker's slang, which can be very beautiful and very rich. Women can do that as well, enrich their language, clean it up.
It's predominantly a male society, predominately a male culture, predominantly a male theatre, and predominantly male critics, but that's changing, definitely.
The Holy Spirit is no skeptic. He has written neither doubt nor mere opinion into our hearts, but rather solid assurances, which are more sure and solid than all experience and even life itself.
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