A Quote by Kim Jong-hyun
Is this the reality you wanted?!
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I wanted to be a musician. I wanted to be a superstar. I wanted to be on stage. I wanted to perform. I wanted to be in movies. But as you grow up, those dreams kind of fade away, and you're hit with reality, and you're like, 'Oh, not everyone can be Lil' Bow Wow?' Fine.
In no way did I allow reality as it was to intrude on reality as I wanted it to be.
After Dynasty, I wanted a reality check. I wanted to get in touch with real life, you know? That kind of world is outrageous.
It's 2009, things change. I'm a creature of habit, so in the beginning I wanted it to be as much like the original as possible, but that's not reality. And reality is, this is a new generation, and people want to see 'Witch Mountain' again.
Reality's its own thing. And I'm not really into reality that much. I'm into this cinematic stylized reality that can comment on reality. It's like the most beautiful parts of reality and the saddest parts, but it's none of this middle ground.
In the oh-my-God-this-has-to-be-Christmas silence that followed, he struggled to reorder the last six months, to catch up with this reality they'd somehow missed. He wanted her. She wanted him. Was it true?
We chose to do a reality show with my husband Dean McDermott, because we wanted to give the reality of our situation, not to kind of mask it if the things got kind of uncomfortable. So we pretty much put it all out there and I think the viewers will appreciate that.
I have always been clear about what I wanted to do and who I wanted to dress. However, you need that business sense to help direct your talent. Because at the end of the day, you are selling clothes, and that is the reality which we live in.
I wanted to be a doctor at one point and I also wanted to be a pilot. I think if you grow up in a dodgy area, reality often beats down those ambitions as you get older. But with me that never really happened.
I was trying to develop a completely new, nonvoyeuristic approach to the female body as something other than a visual object. I wanted to find out what happened when you leave behind the voyeuristic mode and confront people with reality. But that's what was so interesting for me to discover: People don't want to see reality. It's a pretty simple idea, really, this question of how we deal with reality. When something is constructed, when it's projected onto a screen, it's acceptable, but it's different when it's there in front of you in a public space.
'Scary Movie' has lost its way as a franchise. It has turned into 'Disaster Film' and 'Epic Movie' and 'Date Movie' and that isn't what I wanted. I wanted to do a movie that was just grounded in a reality that went to crazy places.
Virtual reality is a denial of reality. We need to be open to the powers of imagination, which brings something useful to reality. Virtual reality can imprison people.
Life is endless reality. There is reality after reality, spinning on endlessly into the cosmos, billions and billions of manifest universes. Underlying all of this is the unmanifest, the absolute reality.
In dreams you don't need to make any distinctions between things. Not at all. Boundaries don't exist. So in dreams there are hardly ever collisions. Even if there are, they don't hurt. Reality is different. Reality bites. Reality, reality.
Plot involves fragmentary reality, and it might involve composite reality. Fragmentary reality is the view of the individual. Composite reality is the community or state view. Fragmentary reality is always set against composite reality. Virginia Woolf did this by creating fragmentary monologues and for a while this was all the rage in literature. She was a genius. In the hands of the merely talented it came off like gibberish.
I went to New York. I had a dream. I wanted to be a big star, I didn’t know anybody, I wanted to dance, I wanted to sing, I wanted to do all those things, I wanted to make people happy, I wanted to be famous, I wanted everybody to love me. I wanted to be a star. I worked really hard, and my dream came true.
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