A Quote by Kim Longinotto
I want every scene to feel electric and I try to finish the filming period with a clear trajectory: a beginning, a middle, and hopefully an end.I hate "fly on the wall." It infers that I don't relate to the people we're with and that I don't get affected by events. I like it when people talk to me. I never say things like "Don't look at the camera" - how bossy!
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I'd like to think my performance is today. I never try to - it's so, as you know, watching me, I have a beginning, middle and ending. But every night the show changes and I relate to an audience and I relate to the young people.
I'm friends with a lot of writers and so many of them say how much they hate signings and how they leave after a certain period of time. But what is so hard about sitting there while people tell you how much they love you? And if you don't like it, well, learn to like it. I try to take one person at a time. I never look down the line to see how many more people are left. And I always try to make people talk about something besides whatever they planned to say.
I love bossy women. Some people hate the word, and I understand how "bossy" can seem like a shitty way to describe a woman with a determined point of view, but for me, a bossy woman is someone to search out and celebrate. A bossy woman is someone who cares and commits and is a natural leader.
The idea of my future simultaneously thrilled and terrified me, like standing at the lip of a very sheer cliff- I could fly, or fall. I didn't know how to fly, and I didn't want to fall. So I backed away from the cliff and went in search of something that had a clear, solid trajectory for me to follow, like hopscotch.
I really like the Chris-R scene and of course the "you are tearing me apart Lisa" scene. The reason I love the Chris-R scene is because we worked really hard to finish it. It's not just that though, it brings people together. Everyone is one the roof together by the end of the scene. You see the perspectives of the different characters. I feel like with all the connections in this scene that the room connects the entire world
You do try to write songs that you feel like people can relate to and you try to be as honest as you can so that people hear your records and they feel like, "Oh, my god. This is exactly how I feel. I went through this."
People have told me that Ive helped them feel confident, like they can say things they want to say. They can talk about feminism in class without people calling them a lesbian. Thats so amazing that I can make someone feel like that.
I want people to feel the emotion, try to relate to the way that I look or want to be like me in the way that I'm living or whatever.
People love that kind of beginning, middle, and end. They like that comfort of turning on the TV week-to-week and being entertained with a good story. There's nothing wrong with TV franchises because, first of all, they're successful. They just make people feel good and hopefully make people think about other people.
I just don't like filming scenes where it's like, that's not how people talk. People aren't saying a joke every five seconds.
People hate me for whatever reasons they come up with, or they hate me because their friends said they should. What can I do about it? What can I do about people who look at things the wrong way? At the end of the day it's like, 'You're wrong, I'm just a skateboarder. How can I help you?'
I just talk just to talk. I like to see what other people think. There's some things somebody tweets me every day where I'm like, 'Wow, I never thought of this issue that way.' It starts great conversation with people who I would never get a chance to actually communicate with.
You can't go home and look at your plaques at the end of the day, because every politician has like a million plaques on their wall. OK? You don't go home and look at - you don't get anything for that. And you can't go home and say, boy, I really served the Democratic Party or the Republican Party. You want to go home and, you know, Fourth of July, you know, any of these special holidays that recognize our country, you want to feel like you've built a stronger nation, which means you helped build the people and put them in a stronger place where everyone's lifted.
I don't want the people I'm with on this journey to feel like I'm filming them all the time. I don't want them to constantly feel as though they're being watched. So I will have the camera ready at all times, but I will only film when something is really worth filming. Those are the moments when the person being filmed is usually not aware of it.
I can't even look at daily comic strips. And I hate sitcoms because they don't seem like real people to me: they're props that often say horrible things to each other, which I don't find funny. I have to feel like they're real people.
I find period pieces really difficult to get my head around. How can we know what it must have been like to be in Nazi Germany in 1944? The reality weighs on me because I feel like you want to try and honor what happened, but how can you truly know? I have never lived in a war or lost anyone.
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