A Quote by Kim Longinotto
Personally, I don't like watching films about victims - people where you're meant to think, 'Oh, this is terrible,' and you go home feeling really depressed.
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I try to make films where the audience forgets the filmmaking and gets engrossed in the story as it unfolds. I don't want them to ever feel bored, or that they're being told what to think, or to feel depressed. I don't like films about victims - I want to celebrate brave survivors like Brenda and the wonderful women in the film.
People in the West tend to identify with western victims. So even when they think about the Holocaust, they really think about the German or French victims; they're not thinking about the Polish, Hungarian, or Soviet victims.
I want everyone to go back home feeling happy after watching all my films.
I'd been depressed before, of course. But I'm talking about really depressed. Not just feeling a bit down or sad, a depression that has something to do with biorhythms. I'm talking about the kind of depressed that floats in upon you like a fog. You can feel it coming and you can see where it is going to take you but you are powerless, utterly powerless to stop it. I know now.
I find more interesting roles for women in period pieces. I do personally like watching period films; I think you can really get lost in the fantasy of them.
It's about, I did talk about my life in broad strokes and what home meant to me in order to really explore the subject of home and can you go back and what that means for people in that sense of community that we've lost.
Statistically, there have to be more gay men in rugby than we know about and I would hate for them to be going home from training and feeling depressed or feeling like they need to live a lie.
Those are the films I want to make. I don't want to make a film about, "Oh, those poor prostitutes!" Or "Oh, isn't it terrible in Chicago!" I want to make a film where people think, "Brenda's like me!"
[Steven Spielberg's films] are comforting, they always give you answers and I don't think they're very clever answers. The success of most Hollywood films these days is down to fact that they're comforting. They tie things up in nice little bows and give you answers, even if the answers are stupid, you go home and you don't have to think about it. The great filmmakers make you go home and think about it.
I don't think any actor really thinks they're good. I watch my own work and I'm like, Oh God, this is terrible, that's terrible.
It's an example of when three people think something's brilliant and one thinks it's terrible. I suppose that's what improvising can be like because you just don't really know how anyone's feeling about it. You come off stage like, "Was that good?"
I go through spurts of watching 'EastEnders,' feeling depressed and vowing never to watch it ever again.
If I'm really honest, I'm not a huge fan of scary films. I remember being a teenager, and people getting out like Halloween [1978] or Saw [2004], and watching them, and I'd kind of just stare at the television logo and blur my eyes and pretend I was watching but I wasn't because I just found that I would take the movie home with me. I can scare myself like a pro.
When I realized I was depressed, then I started reading up about it. When I read that one in four people are depressed, I felt that I'm not the only one. I also felt that how many people must be feeling suffocated to fight this battle all alone. I just wanted to reach out and tell them that even I'm like you, and it's okay if you feel like that.
Out there people are working and arguing and laughing, living their beautiful, terrible lives, falling in love and having babies and being bored out of their skulls and feeling depressed, then being consoled by some little thing like watching the patterns the light makes through the leaves of trees, casting shadows on the sidewalks. I remember the line from that poem now. Downward to darkness, on extended wings.
There are these fantasies among people who watch movies where they're like, "Oh, there's a chemistry between them - something going on." And sometimes there is. But for me, it's more like, I go to work, I do a job, I play a role, and then I go home. I don't wear a cape at home. I'm not an invulnerable alien at home.
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