A Quote by Kim Longinotto
It's always scary making a film as I never set anything up or ask anyone to do anything, so I worry that we'll find a story. I have to trust that a film will come out of the journey we embark on. I have many, many sleepless nights.
Related Quotes
I never want to make a film. I don't wake up in the morning going, 'Ooh, I'd really love to be on set making a film today'. I'm aware that other contemporary film directors perceive film-making as what they do, as what they have to do. But I would hope that I am more catholic in my tastes.
When you are making a film, you do not know how it is going to be received by the audience. In fact, if you set out to make a film thinking that it will make 100 crores, it never ends up making that much money.
With comics, you don't have to worry so much about budgetary constraints. In film and television, however fanciful you want to be, someone can come up to you and go, 'Okay, this is going to cost X amount of dollars, and we only have so many days to film this.' With graphic novels, you can have that alien invasion you've always wanted to see.
Although you feel relief now, this is likely to be the source of many sleepless nights for you. You will lie awake, look upon your heart, and find it unlovely. You will be certain that (...) you are the greatest of monsters. This is a good thing; although you may forgive yourself, you must never come to think that your actions were in any way justifiable. But- (...) Being a sane, honorable human being is not always comfortable.
I find that in the process of making a film you're constantly discovering things that you never even imagined would work at the beginning. Actors come into the film and do things you never even imagined. Production designers come in, the director of photography lights it in a way that you never imagined. So, it's always evolving, always exciting.
A lot of people when they make movies, the actors act like it's their journey and that everyone is on the set to facilitate their journey and the whole thing is set up that way - they ask if you want anything.
I must say here in France I had more serenity or security as I was working because I knew I was making the film the way I wished and that the film would be seen, ultimately, which is not always the case in Iran. In Iran, you always work having in mind this worry of will I be able to carry on my project as I wish and will the audience see the film.
My role as goodwill ambassador has made my work as a film star relatively dull. I can`t find anything that interests me enough to go back to work. I`m simply not excited about anything. I`m not excited about going to a film set.
In the time of the seventh Fire new people will emerge. They will retrace their steps to find what was left by the side of the trail long ago. Their steps will take them to the Elders, who they will ask to guide them on their journey. But many of the Elders will have fallen asleep. They will awaken to this new time with nothing to offer. Some of the Elders will be silent out of fear. But most of the Elders will be silent because no one will ask anything of them.
When we shoot 24, there are so many things I have to worry about, from the script to technical things to my performance, that I don't have a second to be bored or take anything for granted. We produce 24 hours of film a season, which is like making 12 movies.
When we shoot 24, there are so many things I have to worry about, from the script to technical things to my performance, that I dont have a second to be bored or take anything for granted. We produce 24 hours of film a season, which is like making 12 movies.
Film theory has nothing to do with film. Students presumably hope to find out something about film, and all they will find out is an occult and arcane language designed only for the purpose of excluding those who have not mastered it and giving academic rewards to those who have. No one with any literacy, taste or intelligence would want to teach these courses, so the bona fide definition of people teaching them are people who are incapable of teaching anything else.
When I stepped out from doing films and had a dark period, I never did anything dark on a set, so I never made enemies on a set. I never was a bad girl on a set; I always considered films a really sacred space, so when I had my problems, I had them very much away from the film community.
You don't set out making a film that will rake in 100 crores; you just want to make a good film.
I think you have to ask questions that are scary to ask, and you cannot apologize for that, and you cannot worry what anyone else thinks about your journey.
Every time I do one I feel like I've never really quite learned anything. I always find that when I'm making a film, I find it a little bit like I'm doing it for the first time.
Related Authors
Alex Prager Quotes
American
Filmmaker
Ari Marcopoulos Quotes
American
Filmmaker
Astra Taylor Quotes
American
Filmmaker
Avi Lewis Quotes
Canadian
Filmmaker
Cory Trepanier Quotes
Canadian
Filmmaker
David Gordon Green Quotes
American
Filmmaker
Gregory Colbert Quotes
Canadian
Filmmaker
Haile Gerima Quotes
Ethiopian
Filmmaker
Joe Berlinger Quotes
American
Filmmaker
Kalle Lasn Quotes
Canadian
Filmmaker
Mary Harron Quotes
Canadian
Filmmaker
Michael Winterbottom Quotes
English
Filmmaker
Pamela Yates Quotes
American
Filmmaker
Warren Miller Quotes
American
Filmmaker
