A Quote by Kim Nam-joon
If I could just have my music be played for many people no matter what method or way is used, I would reply that that is not the case.
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I used to carry my dad's empty guitar case around the neighborhood because I wanted people to think I played the guitar. I would put flintstones vitamins in it in case I got tired, so I could pop some and keep walking.
I revisited some music that I had written for Miles Devis. I used to work with Miles in the '80s. We did an album - "Tutu," that was really successful for Miles, and a couple of years ago we did "Tutu Revisited," and this is where we played the music from "Tutu." But I knew Miles would absolutely hate it if we just got on the stage and played the music the same way we did it in the '80s.
My idea was you can't dress for the stage, you have to dress all the time like you're onstage. And so I would just always wear suits or some form of it. I wanted people to know I played music. That was kind of how you would find other people: you would just walk around looking a certain way and end up meeting someone who liked the way you look.
Before Liszt, a conductor was someone who just facilitated the performance, who would keep people together or beat the time, indicate the entries. After Liszt, that was no longer the case; a conductor was someone who shaped the music in an intense musical way, who played the orchestra as an instrument.
I was about sixteen when I discovered that music could get you laid, so I got into music boy, didn't matter what you looked like either, you could be a geeky looking guy but if you played music, whoa, you'd get the girls.
Growing up, I was definitely surrounded by music all the time. My parents used to always play music; my dad used to have reggae on. I remember walking around with a cassette recorder, and I used to just record the songs I would hear on the radio so I could play it back when I feel like.
The longer you stay in Madrid, the more you realise what this club means to people - not just in the city but also elsewhere in Spain and around the world. No matter where we played, we'd see our fans. No matter whether we played a Clasico or a small cup game, the Bernabeu would be full.
I used to watch those syndicated, black-and-white Country Music Television shows from the '60s with my dad. And all of those people that played on our television set, they just felt like family to me. And I believed in my heart, as a little kid, that I would be doing that someday and I would know all those people and we would be friends.
I became a professional musician and played all kinds of music. I played bluegrass, I played classical music, and for many years, I played jazz.
I used to dream of some kind of way that you could carry a phone with you - but I never thought I would see it in my lifetime. It doesn't matter nowadays if you are caught in traffic or got lost on the way somewhere. You can just send a text and the recipient will know that you haven't fallen under a bus.
Music was literally in the air at the time, the Vienna of 1780. Everybody played music, classical music. There were in fact so many musicians that in apartment buildings people had to come up with a schedule - you practice at 5 p.m., I'll practice at 6 p.m. That way the music didn't collide with one another.
If some of those people who wanted to ban Beethoven's music could hear the music that's being played today, wow, what would they do, man?
The visuals and the audio, could stand by themselves in a way. But the whole idea of the thing, is that they would exist together. So I think together, they're way more of a stronger thing. You could listen to just the music, or just watch the video, but I think it would really mean... obviously it would just be half the experience.
One way to determine if a view is inadequate is to check its consequences in particular cases, sometimes extreme ones, but if someone always decided what the result should be in any case by applying the given view itself, this would preclude discovering it did not correctly fit the case. Readers who hold they would plug in to the machine should notice whether their first impulse was not to do so, followed later by the thought that since only experiences could matter, the machine would be all right after all.
I'd get suspicious looks from people just walking down the streets. Where are you from? They'd ask. I'd reply in whatever language they'd addressed me in using the same accent that they used. There would be a brief moment of confusion, and then the suspicious look would disappear.
A lot of people have that story that they used to sell crack or shoot people; that's nothing new. But honestly, if that was me, I probably still wouldn't be doing that because it's so many people that's doing that. It just gets old when you hear a million raps about how many ways I could shoot you. So I just try to be more creative and come with something new because I actually care about the music.
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