A Quote by Kim Novak
The work I did in Vertigo meant nothing if no one cared about the movie. Luckily, Vertigo had a revival and people had begun to recognize there was something special and it gained in reputation. But it just as well could have ended up rotting in film cans somewhere.
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Anyone whose goal is 'something higher' must expect someday to suffer vertigo. What is vertigo? Fear of falling? No, Vertigo is something other than fear of falling. It is the voice of the emptiness below us which tempts and lures us, it is the desire to fall, against which, terrified, we defend ourselves.
Again, I want to give credit where credit is due to our voice director, Collette Sunderman, who is someone that works out an incredible juggling act. I refer to it as juggling cats with vertigo, and the cats don't have vertigo, but the juggler has vertigo.
I have vertigo. Vertigo makes it feel like the floor is pitching up and down. Things seem to be spinning. It's like standing on the deck of a ship in really high seas.
A doctor recently described to me "benign positional vertigo": it means you get dizzy in certain positions, but you can get over it without necessarily changing the position. Change "vertigo" to "anxiety," and you've summed up the neurotic's plight.
Even such an obvious idea as to observe an animal with vertigo or to rotate an animal did not occur to him, in spite of the fact that he conducted numerous vertigo experiments with human subjects and made frequent use of animal experiments.
It was only my second night in Africa, yet something had begun to grow inside me which I could not stop, as if my childhood dreams had finally found the place where they could materialize. I had arrived where I was always meant to be. I did not know how it could be practically achieved, but I was certain beyond any shadow of a doubt that it was here that I wanted to live.
I never intended to have a career as a journalist, writing about people who make movies. I did it as something that was really rewarding to do, given the opportunity to express myself about something I cared about, and also to learn a lot by watching filmmakers I admired. In a sense, it was my film school. After doing it for a few years, I decided that the time had come to get it together and do some work of my own. Even for a cheap movie, you need film stock and equipment and actors. Whereas to write, all you need is paper and an idea, so I felt that writing might be my stepping stone.
I wanted to be a film composer because I heard scores that could stand alone, from 'Vertigo' to 'Star Wars' to 'La Dolce Vita,' because this music has so much history. They're weighed with the history of music. They come from somewhere, they have a past.
After a couple of years at Vertigo, I realized that if I was going to be a professional artist, I'd have to devote myself to it full time, so I ended up leaving my job there and went freelance.
But I have vertigo... I lose my equilibrium easily. I can lean out to look at something and just keep leaning and not realize I'm about to fall.
For a while, my favorite movie was 'Vertigo.' Everything in that movie was captivating to me.
The first big long-form work I did in comics was 'Scalped' for Vertigo, which ran for 60 issues.
I nodded. A man's world. But what did it mean? That men whistled and stared and yelled things at you, and you had to take it, or you get raped or beat up? A man's world meant places men could go but not women. It meant they had more money,and didn't have kids, not the way women did, to look after every second. And it meant that women loved them more than they loved the women, that they could want something with all their hearts, and then not.
Vertigo is probably my favourite Hitchcock film and probably one of my favourite films of all time. It's a film that I'm obsessed with. I saw it on its first release in vista vision, projected in vista-vision, at the Capitol Theatre in New York. That moment when the nun comes up in the end... it's just an extraordinary shot.
It was frustrating when people loved you and took an interest in you and sometimes worried about you and personally cared what you did with yourself. Lena wished that love were something you could flip on and off. You could turn it on when you felt good bout yourself and worthy of it and generous enough to return it. You could clip it off when you needed to hide or self-destruct and had nothing at all to give." (Lena, 194)
The vertigo is a difficult thing: it just comes and goes whenever it pleases. I wasn't expecting it. I've had it before, and there have been years between stretches, and unfortunately it happened at the U.S. Open, and that knocked me off my feet.
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