A Quote by Kim Novak

We only did probably two, three takes on every scene we did, at the most. — © Kim Novak
We only did probably two, three takes on every scene we did, at the most.
When I worked with Robin Williams, now there is improv! He is just as funny as you think he is. We did at least five or six takes of every scene, improvising every scene differently. He was a riot.
The scene where I took my eyelashes off we did in two takes.
One of the things that I'd like to get back to that I did as a younger actor was to work on, you know, a rep season for a summer where you did two or three Shakespeares, and you'd do a couple of either new plays or classic plays, and you did a different one almost every night.
Someone did a study of the three most-often-heard phrases in New York City. One is "Hey taxi." Two is "What train do I take to get to Bloomingdales?" And three is "Don't worry, it's only a flesh wound.
Everybody knows that really intimate conversation is only possible between two or three. As soon as there are six or seven, collective language begins to dominate. That is why it is a complete misinterpretation to apply to the Church the words 'Wheresoever two or three are gathered together in my name, there am I in the midst of them.' Christ did not say two hundred, or fifty, or ten. He said two or three.
I did everything when I started. In Miami I did news, I did weather, I did sports, I did disk-jockeying. And I did a sports talk show every week - every Saturday night.
It was really executed well, from the art direction to the wardrobe to everyone else. And I have to say, two really exceptional directors who did three each. Roxann [Dawson] did the first three and Jeremy [Webb] did the second three. And I think they really were very meticulous in getting the right tone because it is both. It isn't dour and it isn't grim, but it's not a romp either. It's truthful and it has room for both of those things.
In like manner the effect of every action is measured by the depth of the sentiment from which it proceeds. The great man knew not that he was great. It took a century or two for that fact to appear. What he did, he did, he did because he must; it was the most natural thing in the world, and grew out of the circumstances of the moment.
John Cusack is a dream. I did one one-on-one scene with him and we got to shoot it so many times, and he did it different every time.
I did two or three plays every summer.
You might only get three takes to do a scene; sometimes it takes longer than that to find those moments.
Certain movies like 'Wag The Dog,' we used improv on every scene that we did. Pretty much, we would shoot from the script and then some stuff that we came up with in rehearsal, and then we'd have at least one or two takes where we completely went off the script and just flew by the seat of our pants.
I love Charlie, Billy Burke's character. Writing for him is so spectacular, he's so funny and wry and every scene he's in he just takes. There's a scene in 'Eclipse' where Bella tells him she's a virgin, and it's the funniest, most awkward scene I've ever seen on film.
It's not unusual to have only three weeks to score a picture. And that's three weeks from signing on to finishing the last recording session. That's how I did 'The Queen' and, more recently, it's how I did 'The Imitation Game.'
Presidents routinely testify in criminal cases. You know, George W. Bush did it with Valerie Plame. Bill Clinton did it three times with Ken Starr. Gerald Ford did it with respect to a testimony about a Charles Manson follower. And Ronald Reagan, I think, is perhaps the most important precedent.
I just did in my early twenties what most did when they were teenagers, being free and exploring and making mistakes, but I did it in France. I did it privately.
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