A Quote by Kim Novak

Well, I'm Czech, but Polish, Czech, no matter, it's my name. — © Kim Novak
Well, I'm Czech, but Polish, Czech, no matter, it's my name.
I got to watch Anthropoid with this Czech audience and the story means so much to the Czech people so watching it with that audience was kind of terrifying but they responded very well.
I used to spend summers in the Czech Republic with my grandmother. I'd watch Czech cartoons.
If I were to arrive at a foreign country like Czech Republic, I don't have to speak Czech to understand the feeling of the local sensations through architecture. That is a kind of communication that no language can perform.
Down through the centuries, the Czech Republic, the territory of the Czech Republic has been a place of cultural exchange.
My favourite language, actually, is Czech, just because it's so colourful. We have so many combinations, words, and expressions. I have to say there are a lot of things which you can say in Czech, but you cannot really translate, because the meaning would make no sense.
Czech Republic is an important part of central Europe. It's clear that we must participate in European integration. I am convinced that the Czech Republic - or, in the past, Czechoslovakia - would have been one of the founding members of the EU if it hadn't been for the communist takeover in 1948.
We were able to shoot in a lot of the locations where the mission actually happened and these guys existed, so that was kind of very affecting. We had a Czech crew and a lot of Czech actors. There's a great deal of authenticity to the project [Anthropoid], and Sean [Ellis] was very anxious that that was the case from the beginning.
The connection between the Soviet Union and Czech people - or Czech politicians - was very big. It was like a model country for us. But it wasn't the best model, so a lot of Czechs don't like to speak about Russia or the Soviet Union.
Definitely it would be foolish to try and make my Czech films here in America, as foolish as it is when some Czech filmmakers try to make movies of America in Czechoslovakia. It was always abysmal stuff.
Definitely, it would be foolish to try and make my Czech films here in America, as foolish as it is when some Czech filmmakers try to make movies of America in Czechoslovakia.
Well, it's the Czech Republic now, but more specifically Prague. I went there when I was 12.
It is quite difficult to establish a clear-cut cause-and-effect relationship, as the causes are manifold and closely connected. It is simply not correct to link the level of democracy to prosperity. It is absolutely clear that the economic wealth of Saudi Arabia exceeds the performance of the Czech Republic. But apparently democracy is quite stable in the Czech Republic, which cannot be said about Saudi Arabia. As we delve into the past, we must not forget about the existing model of society.
Behind The Curtain of the Night is a life after death movie and it is based on a best-selling novel in the Czech Republic. It is a true story, and together with director Dalibor Stach, producers Milan Friedrich and Phil Goldfine, we were able to bring such a meaningful, important, and powerful story onto the big screen. We were so blessed that we got to shoot in the best historical locations throughout the entire Czech Republic from Prague to Karlovy Vary and many other important locations.
My father's family is German and Czech.
Tennis is a big thing in the Czech Republic.
I still speak Czech with my parents because I was born there.
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