A Quote by Kim Petras

I'm always working with other collaborators. — © Kim Petras
I'm always working with other collaborators.
Fashion gave me my start, and that will always be my home. I'll always be so grateful for all my collaborators and friends I've made there, but I'm so excited to dive head first into just being a working actor.
The thing about collaborators is that you don't know you are one whereas as a member of the resistance, you do. [In WWII,] the worst cases of collaboration weren't among the real collaborators, that official militia, but among the people at large, who were collaborators without knowing it, by a sort of laxity, an apathy.
I've had wonderful collaborators. They're very different, just as actors are. Working on a show with Nathan Lane is different from working on a show with Chita Rivera. It keeps you on your toes because it's different every time.
I suppose I don't have to work, but I do love working. I class myself as a working-class girl, and I've never stopped working. When I'm offered shows here, there and the other, I do an awful lot because I feel other people would love to be offered what I'm offered; who am I to say no? I'm definitely working class, and I always will be.
For a producer, you want to be in L.A. You want to be close to the action, and in L.A. there are always singers, artists, songwriters, collaborators and other producers. It's easy to get access to all that, which gives you more opportunity to work records.
The great fun for me is these collaborators. I'm nothing by myself. Being with these people, whether it's the 'Homeland' cast or stage collaborators, they make you everything you are. They make you come to work. They make you be alive.
I definitely enjoy working within different contexts, with different collaborators, and in different locations. I need to keep feeding myself as an artist by working with different people. I see continuing with that. I've also enjoyed getting to explore different kinds of music and instruments in the last couple of years.
You go through this business and you meet people that you bond with, and you get to go make movies with them. It's wonderful. What I've always dreamt of, in my career, is to have a brotherhood of collaborators, and go in and out of working with them. I'm just starting to get that, and it's really lovely.
I had my baby around 20 and I was always working on music, but I was always working on music, but I was doing other stuff as well.
For many of us, we imagine that separation is crucial, the time for your mind to switch from one thing to another is important. And there are other people who are much more comfortable with that barrier being on a spectrum, always working or always semi-working.
We feel on social media that we can speak to each other in a certain way. In politics we treat each other as enemies instead of collaborators. This hate has extended to these horrible and hateful acts.
As a director, you're only as good as your collaborators. You surround with collaborators that are going to understand what you're trying to do. Not only that, they're going to push and fight for what you're trying to do.
Working with (new collaborators) and letting people in to try new melodies and new lyrical ideas was very hard.
No, we are not tyrants on set, and we are kind of come at it very much as collaborators and not just with each other but everybody and particularly the actors.
The books are always there, just the way you wrote them. The plays often don`t turn out the way you wanted them to because in the theater, you`re always involved with collaborators and they don`t always see the work the way you do.
I'm always working my own thing. A few times a week - I try to not go too crazy - I'm working with some other artist. But I'm constantly working my own stuff, and my own stuff seems to come in little bursts.
This site uses cookies to ensure you get the best experience. More info...
Got it!