A Quote by Kim Petras
I don't know - a lot of people think it's a really negative thing to do bubble gum pop, but I love it. I, like, want to own it.
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When (the Reds) won, we loved it because we ran into the locker room and touched all the bats and gloves and got some bubble gum and red pop. When they lost, we were upset because we didn't get the bubble gum and red pop.
It's changed throughout the years, but at one time I was a really big bubble gum ice cream fan. I'd spit the bubble gum pieces in a cup and then collect them.
We kind of write pop songs, but we don't fit in the pop world. We're really bad at being pop stars and walking down red carpets. We've got our own little bubble, which we really like. We've learned to really like that.
You have to change musically. Bubble gum pop was good for the first time you have sex. They didn't want to give the OK on some really good music. It was the frustration of being signed to that label. I was depressed.
I usually live in my own ignorant, pop-culture bubble, so I don't really know what people are doing.
I came here to chew bubble gum and kick ass. And I'm all out of bubble gum.
I feel like a lot of people look at pop music with a very formulaic perspective in numbers and patterns, but an outsider would think that the process is very natural. It is, but there are a lot of times where people treat it like a sport - there are tricks you can pull, different combinations that make something better. I don't really think I approach it that way, but I definitely have a love for the science that is pop song writing.
I don't follow any of what the pop world is doing. Sometimes I feel like that's a weakness, actually, that I'm too in my own bubble. But I'm really just interested in the inner journey. And pop is all about the exterior world, the material.
The supporting thing can be harder to pop in and out of. The hardest thing is the people who have to come in and play, say, the bartender for a day - that's a lot harder than playing the lead role. You have to pop in and get it right. It's a lot of pressure to just pop in there and fit in and find your footing really fast.
There were a lot of things I listened to, but so-called pop music never killed me, you know, the type of stuff that always seems to make it on the radio. The whole radio thing seems so... it's like they've accepted the whole "new wave" thing only because this kind of pop element came into it. In Europe they really love emotion, but here it's like, "let's stay away from it because we might cry or something".
It's been kind of extreme - people either love it or they don't like it at all - and I think that's a good thing. It's my first art project where there's not a middle ground. I find it very interesting. But the negative feedback hasn't at all kept me from doing it, obviously. Because I haven't really gotten any negative feedback that I feel is really warranted.
There's this idea, particularly in pop music and a lot of these pop father/manager types, that you're selling the person instead of the song. You basically want to create something that the fans relate to because it's exactly like them. So there's a lot of art that's made to be in the image of the audience, but then the audience is imitating this version of themselves. It's a really weird cultural feedback loop, and it's kind of strange to watch. It's a new thing since I was a kid, really a different thing.
I love social media. There are a lot of benefits, and it gives us a platform for what we want to become, but there's always such a negative tone to it. You see a picture, and the first thing you see or think is a negative comment.
I think 'pop' can be a bit of a dirty word. People are very cool in Australia. They don't like to admit that they like pop. There are people who listen to Triple J and cool stuff like that, but commercial radio is massive, and if you look at the sales of the pop songs every week, people love pop music.
My songs aren't bubble gum pop dance songs and I don't have background dancers on every single song.
As a songwriter, pop music really is a love and a joy and a science, and I feel like a lot of people look at pop music with a very formulaic perspective in numbers and patterns, but an outsider would think that the process is very natural.
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