A Quote by Kim Petras
When I hear heartbreak songs, I always feel like, 'O.K. that's exactly how I feel... I'm not the only person who fell in love like a stupid person.'
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You do try to write songs that you feel like people can relate to and you try to be as honest as you can so that people hear your records and they feel like, "Oh, my god. This is exactly how I feel. I went through this."
I feel like no matter what I write about, I try to end up being the stronger person in the situation. Even in heartbreak, I feel like I'm a much stronger person because of that. I don't want to just write a sad song and still feel sad after that. I want to feel stronger and better.
I just feel like, unfortunately, I'm a person that has to be creative to live. Whether that's, like, painting or making sculptures or writing songs, sometimes I just feel like that's the only thing you can do.
I believe, and this is something I also learned from Alice Munro, that there's a moment where the personal becomes totally universal. When you see that person in their pathetic moment, that's the moment where the completely unifying sympathy with that person is possible - where you're no longer a person here and they're someone over there, and you can really feel like one, you can really feel like a human being. Or more like, you can really feel like flesh and blood, because I feel like that moment is the same thing with animals.
I'm always interested in hearing how other people read and react to my songs. I hadn't thought of it in just that way. One of the things I love about doing things that are creative is that I feel like it's my right as an artist not to be affected by the reactions of those people that are going to hear my songs. But I also feel like it's the right of the people hearing them to have their own interpretations of what these songs mean. Sometimes people will see things that I don't see.
I like the person who commits and goes all in and takes big swings and then maybe fails or looks stupid; who jumps and falls down, rather than the person who points at the person who fell, and laughs.
I always feel like when I work with people, I work with everybody - from the person that's working the camera to the person that's running the water to the person that's putting the clothes on me, the person that's combing my hair, my makeup, the person that's like, 'You gotta sign these papers.' I try to hang out with everybody.
Everyone wants to feel like they were the one and only person that the other person could ever fall in love with.
I feel like I can always do better with action and I always want to push the envelope there as long as I can because I'm a physical person and I love expressing myself physically, but I'm also, on the very flipside, an extremely emotional person. I like watching the relationships and the chemistry and the relatability.
I can't be the only person that's like, "Why am I in love with this guy just because he makes me feel bad?" I can't be the only person in the world who's had that feeling.
I don't want to hear songs about how sunshiny things are. I don't like songs that feel like radio candy I like the ones that make you think, laugh or cry - they pull some kind of emotion out of you.
I don't want to hear songs about how sunshiny things are. I don't like songs that feel like radio candy... I like the ones that make you think, laugh or cry - they pull some kind of emotion out of you.
And as Craig Brown - he's an English humorist, not a comedian but he's just a writer and humorist - I'm quite a fan of. I heard him talking in a rather similar way on the radio. He said I'm the sort of person - I can't remember exactly what he said, but it was rather interesting - he said I'm the sort of person that can be reduced to tears in an empty church and feel like I'm the CEO of the Devil's organization in a full one, and I tend to feel like that as well. I love empty churches and going into them looking around, but I'm not a churchgoer at all.
A struggle in my life is to feel like I'm a good person and to feel like I'm a nice person. I try to be and anytime I fall short of that it feels really bad.
Sometimes I'll go for something more because of the story, or more because of the director. But, generally, I have to feel like it's something that I have a real sympathy for - a person that I can completely go, "Oh, wow, oh, I'm there." Otherwise I don't feel like I will be able to pull it off at all. I know I haven't done everything very well in the past; some things have worked and some things haven't. But I need to feel like I can feel about the person, understand that person, I suppose.
You can feel the drums, and you can feel the bass. So, being able to feel the music through the floor, it makes me feel like I'm a part of the band and not just the only person in the room who doesn't really understand what's going on.
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