A Quote by Kim Raver

As long as I get those running shoes on, then there's no turning back, and I have to go for that run. As long as you've got those workout clothes, you've got them on, you've got to go.
When I started looking for pointed shoes, I used to go to Fairfax on Orchard Street in New York City, one of those little pushcart guys. I'd say, 'You got any pointy shoes?' They would go way, way in the back and come back with a dusty box, blow the dust off the top, and say, 'What do you want with these things? Give me twenty bucks. Go on, get outta here!' And that was the beginning.
Think of what's stored in an 80- or a 90-year-old mind. Just marvel at it. You've got to get out this information, this knowledge, because you've got something to pass on. There'll be nobody like you ever again. Make the most of every molecule you've got as long as you've got a second to go.
I did this campaign that was called "Back to the Basics" where I went back to the street, went back to my block, and really felt the people. We've got to go back to that sometimes. We distance ourselves from that and we see it from afar. Some people can't relate back to that; once you're out of it, they don't want to relate back to that. It's always good to get back to the basics, though. You've got to touch the roots, you've got to touch those people. Regardless of what's going on, people always respect that.
First I got a yo-yo. I got good and then I got bored. Next I got one of those wooden paddles with a rubber ball at the end of an elastic band. I got good and then I got bored. Then I tried bubbles. I got good but I never got bored.
All over this country you have progressive communities like Madison and Burlington, but we've got to go well, well, well outside of those communities. We've got to go to the rural areas. We've got to go where a lot of working people are voting Republican.
I'd ban all automobiles from the central part of the city. You see, the automobile was just a passing fad. It's got to go. It's got to go a long way from here.
I'm a filmmaker, so I always think: When is the breaking point? Sometimes you've got to go beyond the breaking point, and then you catch it. When is long enough? It's one of those things you have to look at, walk away, and go home and find out what it is.
Perseverance. I got cut twice. I got cut in Charlotte. I didn't have to go to Atlanta to audition. I could have said, "I'm not cut out for this." But I said, "I think I'm better than that, I can go try again." So I went to Atlanta and I made it through. Then I got cut the first time around. I could have told them I didn't want to come back for the Wild Card show but I did and look how far I got.
The 'Degrassi' producers were very supportive. They sent me flowers when I got 'The Vampire Diaries,' and then as soon as it premiered and got the great numbers that it did, I got another large bouquet of flowers from them. Every time I go back to Toronto, I see them and hang out with them.
You know, if you've got nine people that you've got to get a treat for - because you do have sweet food, even if you're poor - you can't go out and buy a Sara Lee cake. You buy the big bag of cookies, those chocolate and vanilla ones with the icing. That has a lot of trans fat in it, but it goes a long way with a lot of people.
You've got to attract interest in your candidate. The problem when you're running far behind is that you've got to move through those positive phases very quickly. Then, you have to draw attention to the other guy. You've got to create interest in why you differ from him and you've got to create a desire to remove him.
'Jesus of Suburbia' is such a dynamic song from start to finish; it's nine minutes of craziness and hectic-ness and emotion... It's one of those songs where I know that for the next couple of days, I don't have to go to the gym, because I got my workout running around the stage and thrashing to Green Day.
We’ve got customers. We’ve got suppliers. We’ve got employees. We’ve got unions. We’ve got communities. We’ve got all of these things that go into making up whether a business succeeds or fails.
It's one of the best feelings in the world to hit the quarterback like that, hear the crowd go crazy, and then to watch it on film. You look forward to those types of plays. The best part about it is that you never know when it's going to come. Every play you've got to go hard and every play you've got to think and believe that you're going to get that quarterback sack. If you don't get it that play it might be the next play so you've always got to be thinking about it, and when it comes, it's the best.
Any time you're dealing with an ankle, you've got to run, you've got to cut, you've got to do all those things. It makes it tough.
There are some fires you can't get out of- you've got to go through the fire - you've got to go through the flood - you've got to go through the test - you've got to go through the struggle that you might decrease and he might increase.
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