A Quote by Kim Rossmo
One piece of graffiti doesn't mean much. Forty pieces of graffiti might mean something... It's all about connecting the dots.
Related Quotes
Graffiti is art, but you don't see graffiti in the National Gallery. Graffiti is on the street - that's where it belongs.
Traditional graffiti writers have a bunch of rules they like to stick to, and good luck to them, but I didn't become a graffiti artist so I could have somebody else tell me what to do. If you're the type who gets sentimental about people scribbling over your stuff, I suggest graffiti is probably not the right hobby for you.
I love graffiti because it enables kids from every social extraction to do something that brings them closer to art, when they normally wouldn't be stimulated to be visually creative. Graffiti helps to develop an awareness of immediate expressive and uncontrolled freedom.
Graffiti is only dangerous in the mind of three types of people; politicians, advertising executives and graffiti writers.
Bus stops are far more interesting and useful places to have art than in museums. Graffiti has more chance of meaning something or changing stuff than anything indoors. Graffiti has been used to start revolutions, stop wars, and generally is the voice of people who aren't listened to. Graffiti is one of those few tools you have if you have almost nothing. And even if you don't come up with a picture to cure world poverty you can make somebody smile while they're having a piss.
Many people decorate their homes with designer graffiti, even though most of them would probably have real graffiti scoured off the walls of their buildings.
Davos is about connecting the dots. It is a networking event and I mean that with the very best intention.
My graffiti really comes more from a May '68, sort of Situationist vibe than the hip-hop world. I think a real graffiti artist would find me a poser.
In college, all my friends were graffiti writers, but I never wrote graffiti. I wanted to participate and do something cool on the street, so I'd make these portraits of people. I'd isolate them on a white wall, make a silkscreen of it, and do these portraits in bathrooms and all around. That's how I started the Polaroids.
I did an art show for Donald Trump at his house in Palm Beach, Florida. It was a bunch of pop art and stuff like that, so I wasn't doing any graffiti at that time, so I'd say from about 2000 to 2006, I wasn't doing any graffiti.
All the work I did was to challenge politics, culture, and women's rights. I felt like I really wanted to break out. That's why I wanted to use graffiti. It's more open. I don't need people to come to an exhibition. Graffiti gives a voice to the walls.
Graffiti ultimately wins out over proper art because it becomes part of your city, it' s a tool; "I'll meet you in that pub, you know, the one opposite that wall with a picture of a monkey holding a chainsaw". I mean, how much more useful can a painting be than that?
Currently, it was leading him through a neighborhood that was on the downside of whatever curve you hoped you'd bought your property on the upside of. Graffiti and garbage were everywhere here. They were everywhere in the city, if it came to that, but elsewhere the garbage was better quality, and the graffiti was close to being correctly spelled. The whole area was waiting for something to happen, like a really bad fire.
I didn't start doing graffiti until two years after I got to New York. Jean Michel Basquiat was one of my main inspirations for doing graffiti. For a year I didn't know who Jean Michel was, but I knew his work.
Obviously my own work comes from a conceptual art tradition, but I love the graffiti artists, and I feel spiritually closer to them than to most contemporary art; they make the city a free space of diverse voices and we shouldn't get all cynical about them just because Banksy made some money. I collaborate sometimes with Krae, who is an old school east London graffiti writer.
I didnt start doing graffiti until two years after I got to New York. Jean Michel Basquiat was one of my main inspirations for doing graffiti. For a year I didnt know who Jean Michel was, but I knew his work.
Related Authors
Alanis Morissette Quotes
Canadian
Musician
Douglas Coupland Quotes
Canadian
Novelist
Drake Quotes
Canadian
Musician
Jim Carrey Quotes
Canadian
Comedian
Joni Mitchell Quotes
Canadian
Musician
Justin Bieber Quotes
Canadian
Sculptor
Kelley Armstrong Quotes
Canadian
Writer
Leonard Cohen Quotes
Canadian
Novelist
Lucy Maud Montgomery Quotes
Canadian
Educator
Malcolm Gladwell Quotes
Canadian
Author
Margaret Atwood Quotes
Canadian
Novelist
Marshall McLuhan Quotes
Canadian
Sociologist
Neil Young Quotes
Canadian
Singer
Robin Sharma Quotes
Canadian
Lawyer
Steven Pinker Quotes
Canadian
Scientist
Yann Martel Quotes
Canadian
Author