A Quote by Kim Shattuck
I really liked the Sex Pistols when they came out and I thought they had a lot of melody.
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I liked the Sex Pistols' music. I thought it was superb.
Well, I thought the Sex Pistols were the cream of the crop. They came in and topped everybody, for sure. They took all the existing strands and made a perfect package out of them.
I knew a lot of chords, but they weren't the chords that came with the melody that came with the idea I had for the song. Melodies are simple things. If you see a train wreck, there's a melody. If you see a little daisy blowing in the breeze, there's a melody.
Punk-rock records came out and you bought whatever you could find. But Devo didn't happen for another three years. Sex Pistols didn't tour the States until '78. At that time, for me, it was really about CBGB, Patti Smith, Talking Heads, the Ramones, and Television.
The Sex Pistols had it all - they had the snarl, they had the I-don't-give-a-crap attitude - plus, they could play.
I went to visit Alcatraz years ago when I was on tour with the Pistols, and I really liked the atmosphere of the place. I genuinely, really, thoroughly enjoyed the whole morning there. I just liked the quietness and stillness of what is basically a cruel prison complex. I still found some kind of joy in that. That's how I am.
I liked the place I came from. But a lot of what I liked about it was that I had come from there.
I didn't really know what I was until I came to America and I had sex [for the first time] in San Francisco in 1970. It was with someone of my own sex.
I've always said, I thought the Sex Pistols was more Music Hall than anything else - because I think that really, more truths are said in humour than any other form.
The best unpaid sex, where you and the woman are really into each other, and there's a lot of really intense passion, and things are really hot between you...I've never had that kind of sex when I was paying for it. The best unpaid sex is going to be, I think, more passionate and more hot than the best paid sex.
I came up with the "We are explorers," with sort of a counter-melody to [Opetaia Foa'i] melody. And so, it happened so organically, that it really, to me, is the most emblematic of our collaboration.
When I first came to London I thought there'd be this amazing music scene, but I was quite let down by how little was going on and how few ideas there were in music. Bands were writing songs that had no melody, and I wondered, why is that, melody is the most important thing in a song. It's the thing that sticks in your head.
I kind of always thought that I had a good ear for melodies. I think in terms of melody. I can just be walking and I'll hear a melody.
The Sex Pistols came through Atlanta, and I got to go see them. That was historic. It blew me away; it was so much fun. I bought 45s of bands you don't hear about anymore.
[Replying to the question of the presenter: "where did the name "Sex Pistols" come from, who thought this name up?"] Some animal. I can't remember. It doesn't matter. It's history.
The gamers are smart. They see right through the moral scale. Actually, with Dragon Age, I really liked the system the team came up with. It reflects what was important about the game, and that was the character relationships. It didn't really matter what the world thought of you, but it mattered what the person standing next to you thought of you.
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