A Quote by Kim Shattuck

The one thing about songwriting that's been consistent is that I do it for the love of a good melody. — © Kim Shattuck
The one thing about songwriting that's been consistent is that I do it for the love of a good melody.
Melody is the first thing that comes to me when I'm songwriting. I learned piano classically first, and then I went into soul, and so melody has always been the first. It's so important.
The one thing I always talk about in terms of restaurants is consistency. I think that's what we love about the vodka, is that it's consistent. It's consistent in its pureness and that's how I tie it to restaurants. When I think of a good restaurant, it's where the food has been consistent; there's always a consistency.
I learned so much about music by playing this little, miniature songwriting machine [ukulele], especially about melody. The motto is less strings more melody.
Songwriting is a craft. Writing good songs on a a consistent basis doesn not happen spontaneously. In fact, most of our best songwriters learned to write good songs by writing a lot of not so good ones. Education matters in songwriting, just as it matters for physicists, chemists, doctors, lawyers and MBAs. Education lays the foundataion on which to build experience.
I don't really have a set-in-stone process or formula. Sometimes the melody is there and I have to chase down the lyrics. Sometimes, the song is there and I have to make the melody fit. What I've learned so far about songwriting is that I can't force a song. If I try to do that, it's hollow, and people know a hollow song when they hear it. It's the song they stop listening to and forget about. I'd prefer not to write those kinds of songs.
For me, songwriting starts with a melody. When a musician plays a chord progression, either the words and vocal melody come to me, or they don't. That's how I determine who to write with. It works, or it doesn't.
I've been writing a lot about my encounter with love. Which is the white stag as far as songwriting is concerned because love songs are so banal, and my experience with love is anything but that.
I've been very lucky in that the studios really respect me and they give me all my creative freedom. But nevertheless, they are inputs, they have opinions. It's the same thing for me as if you're in a shower and you're coming up with a tune, with a melody, but there are 70 people trying to sing their own melody at the same time. So you have to focus and concentrate, and not lose the track of your melody.
What I love about lyrics is that they don't have to be very complicated. A good sentence over a great chord with a good melody - all you need is that one moment.
I think that's what we love about the vodka, is that it's consistent. It's consistent in its pureness and that's how I tie it to restaurants.
Melodies are far more interesting. They are there, in your face, in certain sections of the songs. People do complain about the melody thing, but we do hit patches of melody and beauty, as well as the other stuff.
I'm definitely a fan of juxtaposition. Using the most beautiful line to say the most horrific thing - I think one of the main things in songwriting is definitely friction between the words and the melody.
The melody seems to have gone to the country. The country music seems to still have melody and interesting lyrics. But pop music, you've got to really listen hard to somebody who's doing a good melody and a good lyric.
One consistent thing in an otherwise inconsistent career is that I've always been passionate about parliament.
Melodies can be good depending on the context. You can have a simple melody, and if the harmony behind it is interesting, it can make a very simple melody really different. You can also have a complex melody. The more complex it is, the harder it is to sing, and then sometimes it can sound contrived. You could write a melody that would be fine on a saxophone but if you give it to a singer, it can sound raunchy.
Because as much as I love figuring out other people's puzzles, and love putting words together in ways that feel good to sing and sound good together and suit the melody, I think most of the best songs in the world are fairly clear about what they mean to say.
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