A Quote by Kim Shattuck
I like clubs, I like sweat, I like people right up in my space.
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First, Donald Trump took out like this little make up compact like right here, because he had a sweat mustache.
I like hip-hop, but I don't like concerts. There's, like, sweat on people's backs.
I like hip-hop, but I don't like concerts. There's like sweat, on people's backs.
Just physically, if you looked at the house that I grew up in, my mother created this greenhouse. And surrounded the entire property. And there was, like, trees and sculptures and like - it was, like, this crazy, like, secret garden space.
We went from playing small clubs to quite big stages quite quickly, and a lot of the time, I felt like I was trying to catch up with myself. Figuring out how to take up space was an interesting journey.
People from outer space they come up to me, they don't look like Doctor Spock, they don't look like Klingons, all that Star Trek jive. They look like Elvis.
I like people that can strap on a guitar and don't sweat the fact that you have to come up with a song in an hour. I want to work with someone who won't feel like they have to play along with Jason Molina. I want them to just have the confidence.
The best clubs in the world are always the clubs where you have a variety of people. Like, you have the crazy people, you have the nicely dressed people, you have the office people, you have the regular guys - that makes it fun.
I think doing more live stuff's made us feel a certain way about that particular point. I quite like small clubs. I don't really like playing in big clubs, and I think I'm really into the idea of a few people being together.
I started out in clubs, and I've always liked clubs. I like theaters because people are there for the show.
You wouldn't know it, from some of the things I've said over the years, but I like people. I do. I like people, but I like them in short bursts. I don't like people for extended periods of time. I'm all right with them for a little while, but once you get up past around... a minute, minute and a half, I gotta get the fuck out of there.
My generation of playwrights have grown up writing for studio theatres, and so the task of writing for more than ten or so actors is a huge challenge. Logistically, it's like doing an enormous Sudoku. Making sure everyone is in the right place at the right time in the right order instantly sends me into a cold sweat.
Well, see, I think it's that most people don't like that lonely feeling. People don't like looking up and feeling small or lost. That's what I think prayer is all about. It doesn't matter which stories they believe in, they're all doing the same thing, kind of casting a line out to outer space, like there's something out there to connect to. It's like people make themselves part of something bigger that way, and maybe it makes them less afraid.
Growing up in New Jersey, teen clubs were your life. I'm not kidding! That was it. I was literally tied up five days a week with teen clubs; my parents would drop me off. Like, I didn't even drive.
I like to be the right thing in the wrong space and the wrong thing in the right space. But usually being the right thing in the wrong space and the wrong thing in the right space is worth it, because something funny always happens.
Being in a smaller environment - sometimes I like that. As a comic, we start off in comedy clubs, and there are people right at your feet, right on top of you. And I realize, as I get older, I miss that sometimes.
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