A Quote by Kim Shattuck

When I first wanted to play guitar it was because I had seen Brian Setzer. He's so good! I mean I was just blown away. — © Kim Shattuck
When I first wanted to play guitar it was because I had seen Brian Setzer. He's so good! I mean I was just blown away.
I have met so many of my idols - like Ray Charles, Brian Setzer - all these cats that are legendary musicians. If they had said to me, 'Hey man, I'm busy,' it would have crushed my soul.
I'll never forget when I heard Steve Morse and the Dixie Dregs for the first time. I was just blown away, and it changed my whole approach to guitar.
A good example of a lyric that makes me laugh but might not hit anybody right away is, "Sit behind the guitar and play the chords," just because it's such a lame image. It's not rock'n'roll at all to be sitting behind a guitar.
The reason I wanted to play guitar was because I saw Buddy Holly and then our own homegrown Shadows on TV in 1957 or '58. I wanted to learn to play guitar so I could do what they did and be in a band.
I only wanted to play the guitar so I could write music. As soon as I learned my first three chords I wrote my first song. It was just a tool to get me to be able to do the thing that I wanted to do.
I wanted to get a guitar [when I was 13] so I could play punk songs because kid taught me power chords at summer camp. He was like, "You could play all punk songs if you just learn this chord and just move it around on the guitar".
I never wanted to play guitar when I was younger. I wanted to be a drummer because everybody plays guitar, and I didn't want to do what everybody else wanted to do.
I've always been blown away by how unique Brian Limond's mind is.
I've definitely had a few moments in my life where I've seen somebody and it's blown me away at first sight, but I guess of those few scenarios, none of them have been like... I'm not married.
When I was a kid in school, and you asked me what I was gonna be, I mean, even as a little first grader, I was gonna be a guitar picker on the 'Grand Ole Opry.' I just had it in my head that that's what I wanted to do, having no idea how it was done.
Michael Bloomfield was the antithesis of a collector ... he didn't care how old a guitar was; all he wanted was something that sounded good when played it ... and he cared nothing about the collectibility of an instrument ... his philosophy was "A good player can make any guitar sound good" ... to Michael, a guitar was just a tool.
I feel like I'm just learning how to play the guitar. I mean, really learning to play the guitar
I feel like I'm just learning how to play the guitar. I mean, really learning to play the guitar.
Dave Guy, the trumpet player, is an incredible musician. He came into the studio one day, and they had just cut a cover of "Sign, Seal, Deliver" for something with Sharon Jones, and I just was blown away by how they got that sonic. I mean, it was just so much the real deal.
I wanted a guitar when I was 4 or 5, and I learned how to play guitar by the time I was 6. Just self-taught.
When I first played the guitar without plugging it into an amplifier, the people at Fender were blown away. They couldn't believe the sound. I said, 'See, gentlemen, the world is no longer flat.'
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