A Quote by Kim Shattuck

I gravitated toward photography. That's what I really did well. — © Kim Shattuck
I gravitated toward photography. That's what I really did well.
Whatever I did, I always gravitated toward trying to be funny. If I was with friends, we were joking around. If I wrote for the newspaper, it would be a humor column. If I acted, I wanted to do comedy.
My interest in fragrance is really a personal thing. I've always gravitated toward them and appreciate the subtle, meaningful way they express who you are.
I think sometimes since we have so much technology today it's easy to overproduce things and perfect things in a way that's not really natural, and I've always really gravitated toward imperfections and just the essence of the thing.
I have problems with a lot of photography, particularly street photography and photojournalism - objectifying the other, finding the contempt and exoticism that you might feel within yourself or toward yourself and projecting it out to others. There can be an abusive power to photography, too.
Photography should be redefined. It's largely technical... Photography is just unbelievably limiting. I always think of David Bailey and all the fashion photographers - they overlap, you can't always tell who did it. I don't really even like photography all that much. I just think it's so overdone.
My photography is very European. In America, I always get the sense that people are comforted by understanding what they're looking at. Photography's quite clear here [in the U.S.], it's very well-explained. My photography's perhaps not as well-explained.
I didn't do well in high school, but I took photography, and I loved being able to capture moments. It led to more and more photography, and fashion was the angle into photography for me. It was incredible to see photographs by Irving Penn or Helmut Newton. I was really intrigued by that, and that's what led me to New York City.
I made dance records and the gay community gravitated toward them. They gave me a place to really shine, a place to develop, and a place to spread my wings - I'll forever be grateful for that.
What's happened is that the digital age has made photography more accessible to people. Everyone is a photographer. But to do it [photography] at a certain level, well, there's a skill to it. Still, it's a good time for photography now.
I feel really held in being vulnerable. That's always been the kind of music that I've gravitated to as well, but to feel really supported by my audience in that is a real privilege.
Tactility was rejected in conceptual photography. I embrace the possibilities of my medium. Surface, texture, and tactility is something analog photography can do well, or it is something I can do well in analog photography. It can be hard to know what or who is in control.
I've always gravitated toward technical music in general. I love jazz fusion.
I'm really very concerned with helping to create an attitude of freedom and daring toward the craft of photography.
My father was a fighter pilot, so I moved around the world when I was young. Then I ended up in Kansas. I'd just sort of gravitated toward the arts, and I had always loved music and really loved theater even though I didn't want to act.
Photography can still be used to champion activism and change. I believe this, even while standing in the cool winds of postmodernism... Postmodernism looked radical, but it wasn't. As a movement it was profoundly liberal and became a victim of itself. Precisely at this historical moment, when multicultural democracy is the order of the day, photography can be used as a powerful weapon toward instituting political and cultural change. I for one will continue to work toward this end.
Coming to WWE, where they treat the talent a certain way, I really gravitated toward Bellator because you saw the trend in fighters wanting to go over there because they were getting better deals and getting more freedom with it.
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