A Quote by Kim Swift

One of the things I loved about working on 'Portal' was that we'd get emails from people saying, 'I love to play first-person shooters but my girlfriend won't play them with me. But I got her to play 'Portal' and she had a blast.'
A "portal" is an opening (door, window, or opening). A heavenly portal or a glory portal is a heavenly opening through which God's goodness manifests. I have seen a portal in a vision and it was a circular opening where a column of light poured down into the earth. There were angels ascending and descending.
I don't want to play the girlfriend who's there because she's the girlfriend. And. That's. Her. Job. I want to play women and girls who are active and strong and who have a character arc and make decisions and have a rich background.
For me it's about the character, not as much about the genre of it [movie]. I'm excited that I get to work and play interesting characters and I'm not just the girl who gets to play the girlfriend or the wife. I get to play real women who have struggles and troubles and passions and that's always what I hope to do no matter what format that lies in.
The very first plan I wrote for MySpace was that it would be a portal, but a portal wrapped around your user profile.
So what's so enticing about doing a play is that you get to do that thing that got you into acting in the first place... There's a real attraction to being able to play, to just play. And that's something that theater affords you.
People have been known to joke that my lifelong love of portal fantasies was born, at least in part, from the fact that stepping into my private spaces is a little like stepping through a portal into another world.
I never play all new stuff, because you got to "dance with the girl that brought you" what is that saying? You got to play the songs that got you there, so I love playing the songs from my very first record.
I don't play for myself. I play for my teammates and play for the people that helped me get to where I am. I know they're watching me every week, and I want to play for them. It's just in my heart, and that's who I am.
When I get older, if they ever do a project about Audra McDonald's life, I would love to play her, or even play her daughter in something. I love her.
I'm amazed people talk about my helmet - saying it makes me feel psychologically better. I would love to play without it, but I'm not allowed to by the doctor. As long as I'm told by the doctor I'm running too much risk to play without it, I'll play with it. There's no other way for me.
I decided that I want to live the rest of my life happy with what I'm doing. So when I play tennis again, I have to play it for the right reason. I don't want to play to get my No. 1 ranking back. I don't want to play for the attention, or to earn more. I don't even want to play because the world wants to see me do it, even though it's nice to know that the world is interested. I only want to play because I love the game, which is the reason I began to play at age seven in the first place.
One of the things I love about Helena Bonham Carter is that she is ravishing, but she does as much as she can to play it down and look funny. She doesn't let her looks get in the way. I hugely respect that.
Beneath the Sugar Sky' is an homage to the portal fantasies of my childhood: it is the portal running in reverse.
I seem to have been cast several several times to do it. I think in this one, Phoenix is not purely evil. She was in the comic books at some point but the way the writers created her or we always talked about her, was that she was torn with her powers taking over and trying to control them at the same time. It was challenging to play which made it interesting for me to play this character.
I knew that my dollhouse was a toy, but in a way, it seemed more like a portal to adulthood. I didn't play with it the way I might with my Barbie dream house. Instead, I furnished it. I kept it pristine. I decorated the house for each season. I had jack-o'-lanterns in the fall and a Christmas tree with working lights in the winter.
It was wonderful to be able to play a character who had so many colors and who was able to play comedy, to play incredibly vulnerable, which he did a lot of the time, to play the love story, and to play the relationship with the son, which is quite unusual. That's a gift to me, as an actor.
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