A Quote by Kim Weston
In front of the camera I look and I see visually what I've created.
Related Quotes
Whenever I see a mirror, I just look at myself, or when I see my own reflection, I quickly take a look; I won't lie about that. But when I am in front of the camera, it's just the character, not me.
Guys like Spielberg and Zemeckis and really anybody who is a storyteller-filmmaker today has studied Hitchcock and the way he visually tells a story. He was the master of suspense, certainly, but visually you would get a lot of information from what he would do with the camera and what he would allow you to see as the story was unfolding.
It's hard to put yourself in front of a camera, in front of the world, when you don't feel like you look the part. I've always had that problem. But I deal with it every day. When I'm interviewing, I'm like, "How do I look? Do I look all right?"
It's a hard job to get the camera to see it like you see it. Sometimes you have it just the way you want it, and then you look in the camera and you don't have the balance. The main thing is to get the camera to see it the way you see it.
My McQueen particularly was hard to make, because my father was dying. I see it, and I see my confusion, my pain, my everything. I thought that it was really interesting to be able to put the people from behind the camera in front of the camera as they make it.
I could never imagine myself acting in front of a camera or doing anything in front of the camera. I was a very shy girl.
Being on set in front of the camera, it makes me happy and extremely grateful whenever I'm in front of the camera.
I've always said the one advantage an actor has of converting to a director is that he's been in front of the camera. He doesn't have to get in front of the camera again, subliminally or otherwise.
A Leica camera is a camera we can keep both eyes open. You can look for the free eye that doesn't look to viewfinder and in all directions. It's like backwards - and sometimes also backwards, and you can look for the viewfinder and see your picture.
'Hollyoaks' is where I learnt a lot of the craft, being in front of a camera six days a week. That's certainly an experience you don't get in drama school. It invites you to be comfortable in front of the camera.
My videos are a one-woman show - it's just me. I have my camera in front of me, and underneath my camera, I have a monitor. That's where I see everything.
I think it's probably safe to say that continuing our onscreen relationship in front of the camera is probably not happening. I expect Adam may well pursue things in front of the camera, but I'm most likely not. It's not who I am.
If a person is in front of a camera, they're acting. It's not possible to live in front of a camera.
I would like to see more films being made with people of color behind the camera and in front of the camera, because the more times at bat we have, the better we get.
You look tight on camera, it sees it. The camera can see everything.
I started working in front of the camera for the first time when I was 15 years old. I joined a soap opera. We filmed in Brooklyn and I would skip class to shoot my scenes. It was terrifying and I entirely self-conscious in front of the camera.
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