A Quote by Kim Weston

I don't need the money I generate from photography to support myself. — © Kim Weston
I don't need the money I generate from photography to support myself.
Photography is a life of learning. That's all I want from photography. I don't want the money. I don't need the fame. I don't need the admiration. I'd like all of those things, but I don't need them. Because what I get from photographing is learning. I have spent my life learning by looking through a lens.
I need nothing from my companion. No money, no financial security, no emotional support, nothing. All I want is the freedom to be myself.
We helped generate that international law coming out of a very difficult and hard-won experiences in the First and Second World War. And I think we need to abide by that experience and our good judgment coming out of these catastrophes. We need to support that.
I need to work to support myself and my kids. No one pays for my support.
When I was a child, there was very little money, so I've always been concerned for my financial security, which has meant that finding myself as a writer was a bad move. The practical difference the money has made is that I can support myself by fiction. That is what I have been trying to do throughout my life.
We need to have intimate, enduring bonds; we need to be able to confide; we need to feel that we belong; we need to be able to get support, and just as important for happiness, to give support. We need many kinds of relationships; for one thing, we need friends.
You do need money to make a good demo; you do need a bit of financial support.
Anthropology... has always been highly dependent upon photography... As the use of still photography - and moving pictures - has become increasingly essential as a part of anthropological methods, the need for photographers with a disciplined knowledge of anthropology and for anthropologists with training in photography has increased. We expect that in the near future sophisticated training in photography will be a requirement for all anthropologists. (1962)
It's very easy to do a fundraiser and spend a lot of money on food and venue and not raise any money. You really do need to twist people's arms into giving, even if they support you.
There's no need for women and moms to go through this world alone without the help and the support from the businesses that do business in our communities and that generate success from the women in our community. That should not be happening.
Crime is based upon need, making money. People sell drugs to make money. But if everybody is cared for, they don't sell drugs and if there's no money you can't sell drugs even if you wanted to. There'd be no such thing as gambling, prostitution, or selling out, or paying off a senator or a governor. There are no senators, there are no governors so you can't pay them off. If you take away the basis or the condition that generate abhorrent behavior, you don't have abhorrent behavior.
Those fighters, the Syrian part that you're talking about, lost its natural incubators in the Syrian society - they don't have incubators anymore ; that's why they have incubators abroad. They need money from abroad, they need moral support and political support from abroad. They don't have any grassroots, any incubator. So, when you stop the smuggling, we don't have problems.
I like to think of Photography 1.0 as the invention of photography. Photography 2.0 is digital technology and the move from film and paper to everything on a chip. Photography 3.0 is the use of the camera, space, and color and to capture an object in the third dimension.
A just system must generate its own support.
So that's the biggest lessonsI've learned it is your dream, you do not need a business loan, you do not need the support of others, you need to do what you need to do and when you become, what do I want to call the word, like legitimate, when people see that you are real, then people will support you, but you can't ask them to take a risk on you.
It's entirely ridiculous and hopeless to try to compete with somebody who made such a huge contribution to photography... I knew when I went into photography that I would be compared to my mother. I thought to myself, what can I do about that?
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