A Quote by Kim Weston
No matter how fast I could do it with the digital camera I don't think I would get the same thing out of it. The passion I have for formulating an idea stands alone. It is the important essence of what I do.
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I think the digital camera would record that information too fast for me.
If you need to strap a camera to you or get in a small space, then it makes sense to use digital.I do think it is possible to use a digital camera artistically, but it can only be good if you are using film technique. Film has grain, and digital has pixels, and there is not that much of a difference, but digital does not replace the need to create a scene and light it properly and spend time considering the shot.
As far as digital technology has come, there's still one thing that digital cameras won't do: give you perfect color every time. In fact, if they gave us perfect color 50% of the time, that would be incredible, but unfortunately every digital camera (and every scanner that captures traditional photos) sneaks in some kind of color cast in your image. Generally, it's a red cast, but depending on the camera, it could be blue. Either way, you can be pretty sure-there's a cast.
My original idea- and I still want to do it -for Pinko Records, would be to create a platform for other artists to do the same thing I did. They could create their own levels of donation and final goal. I have no idea how I would make any money on that -but I don't think like that.
...in the end every one stands alone, and the important thing is who it is that stands alone.
I've always liked the idea of inventing stuff. My father told me, because I was naïve, I would think things could work and therefore do them, because I would have no doubt even though there was no solid foundation for this confidence. I don't think I would be a real inventor. But when I set out to do animation, which was my first step into film-making, I realised I could achieve this idea. I could take some elements, create a sort of clumsy invention, and make them work for the camera.
What a story that would make! How many men and women go through the same rivers, menaced by the same sharp clichés, the same jagged dangers that have threatened us! If the idea stands up, I thought, it would be worth uncovering the typewriter! How Richard-years-ago would have wanted to know: What happens when we set off searching for a soulmate who doesn't exist, and find her?
There's something very satisfying about old cameras because they're ingenious. I mean when you take them apart and actually see, 'Oh, this is how we make photographs,' it's an ingenious thing, but it feels like it's in a way a layman can appreciate, whereas a digital camera, I don't even begin to know what goes into making a digital camera.
You could walk the streets, no matter how hungry people were, not matter how long they'd been out of jobs, you could walk the streets, you could ride the subways in New York, and you would not get knocked in the head.
You could walk the streets, no matter how hungry people were, not matter how long theyd been out of jobs, you could walk the streets, you could ride the subways in New York, and you would not get knocked in the head.
Americans have a hard time writing moms. I'll get a script and everything's really great and well-drawn, but the mom is like stock footage, they go and get that out. They plug it in, this idea of "mother." You could lift moms out of any script, no matter what the culture, what the neighborhood, what the economic status, and you could switch them around, and they'd be the same person. I think it's because most people don't really have a human idea, a specific life that they attach to who their mother was. Their mother was there for them, so it either gets deified, or the opposite.
I think that film is still an artform and it doesn't really matter if you're using a digital camera or a film camera.
If you're setting up lights and tripods, and you've got three assistants running around, people will want to get you out as fast as they can. But if you go the opposite way, if you make the camera the least important thing in the room, then it's different.
My mother negotiated a plea deal, and my father went to trial. I think one thing we notice in their case that kind of stands out is how, in some ways, arbitrary the outcomes in the criminal justice system can be. And they did basically the same thing, identical thing.
Making photos is helpful of course to master the craft. To get comfortable with the camera. Learn what a camera can do and how to use the camera successfully. Doing exercises for example if you try to find out things that the camera can do that the eye cannot do. So that you have a tool that will do what you need to be done. But then once you have mastered the craft the most important thing is to determine why you want to shoot pictures and what you want to shoot pictures of. That's where the thematic issue comes to life.
I know what it's like being with a major label. But I've always wanted to do things differently. And when I found out that the internet was a digital medium that could transfer binary code, the 0s and 1s - which is what a CD is - I knew it was only a matter of time before the feed would be fast enough to transfer files.
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