A Quote by Kim Weston
A lot of my work comes from my life experiences.
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What parents and teachers and caregivers did with me that actually worked and a lot of that was the old fashion 50s upbringing. They just gave the instruction when I did something wrong - life was more structured. So basically it's [my work] based on experiences with me that worked and it was teachers and parents that made me have those experiences.
Music, to me, was - is - representative of everything I like most in life. It's beautiful and fun, but very rigorous. If you wanted to be good you had to work like crazy. It was a real relationship between effort and reward. My musical life experiences were just as important to me, in terms of forming my development, as my political experiences or my academic life.
A lot of life is about trying to turn bad experiences into something good. Usually if you work at it, you can figure out a way to do it. Even our worst misfortunes are gifts.
People hear the examples of kids who work when they're young, have bad experiences, and then have a rough life after that, but a lot of it is just about the people around you.
A lot of people talk about life. Some love it. Some disparage it. And a few realize that life can be what you make it because they have learned from past experiences. Lessons learned from these experiences have often contributed greatly toward seeing the possibilities in what some people call "the game of life." When we've "been there" and "done that," we can have as good of an idea of what we don't want as what we do want. Experience is certainly an excellent teacher!
I'm grateful for the experiences I've accumulated. Of course, there are certain things you wish were not on anyone's list of life experiences, but it's a life. It's a good life. And I like what's there.
If you work all the time, you don't have many life experiences to feed back into your work.
I got letters from people that have had peculiar psychic experiences, experiences with the dead - sometimes fairly tranquil experiences and sometimes very terrifying experiences. I do believe that a lot of them are sincere. I do believe, also, that some of them may be misguided. But, I think the majority of them have experienced something.
If you really want to be an artist, you search yourself, and you find a lot of it comes from earlier times. I have pretty much built the work around my experiences. When I've moved from one place to another, the work has changed.
There were a lot experiences I had during my transition and post transition, and I feel that I learned a lot, and I wanted to share that through my work as an artist.
I've had a lot of highs in my life and a lot of lows, some pivotal experiences, and in ways I feel like I've already lived a couple of lives.
We aren't defined by our work. People think if you over-identify with your work, then that must mean you're giving over too much of yourself to it, that there's something wrong with that. We're trained to believe in things like work-life balance. So much work is tending towards service. It's very much about creating experiences rather than products, and it makes those boundaries between life and work very slippery.
Soap operas were my first professional experiences, and I always knew I was eager to explore a lot more work in a lot more arenas.
You meet a lot of people and have a lot of experiences, and they color you and stay with you - but I'm not the grieving widow. Life is much more complicated and interesting and full of zigs and zags than that.
But what does interest me is the notion that if you do a lot of work it means there's a potential for other people to understand that a lot of things are possible with a sustained effort and that the broadening of experiences is possible and I think that's all art can be.
Everyone has their own different life experiences which make them who they are. No two people's life experiences are the same. And mine are just unique to me.
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