A Quote by Kim Zmeskal
I mean, I take that with the biggest amount of pride there could possibly be because I have so many idols of gymnasts that were before me. I think having perspective now on how hard it is for all of the starts to line up for something like that to happen, I'm just very proud of that moment and that whole atmosphere.
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I'm incredibly proud to have been nominated in the past and it really means a lot to me because I do work very hard when I'm making a film and I do really do absolutely give my all. To get that kind of pat on the back, it's really amazing and also never something that I anticipated would possibly happen to me, ever. So I am very, very proud to have been there before. And, you know, the nice thing about nominations is that, same as awards, no one can actually take them away from you and I'm proud of that.
I remember once when we were moving, driving across country, and it was raining so hard, the windshield wipers going fast and squeaking, and then: nothing. It stopped. I looked out the window ahead of me and it was clear. I looked out the back and there was the rain, still going. Nobody said anything, but there it was, a near miracle, a rain line, a way of seeing just where something starts, when usually you are just in the middle of it before you notice it. That's how it feels to me now, to not want to be like (that) anymore. I see the line.
An eye-opening moment in my life, a very defining moment, was the first time I met Susan Sarandon [before shooting Thelma & Louise]. We were going to meet, just Ridley [Scott] and Susan and I, to go through the script and see if we had any thoughts or ideas. I was reading the script, and in the most girly way possible, meaning that if it was a line that could change or something different I'd like to see, I would think about each one and say, "Well, this one can wait till the set because I don't want to bring up too many things."
I had a hole in my voice. It's an area in the voice where it's air. It's just - there's no - it's just very airy. And my classical teachers were just so frustrated with me because I would have these deep, low notes that were really strong, and the higher register was strong, but right in that middle area, it was really hard. It was like a passage. And many singers go through this and work it out. But I realized in jazz, I could just take advantage of that and take advantage of having a voice that was very different in different areas.
If someone uses the amount of time I spend in the public eye as criteria for what my music could possibly mean to them, they probably should take a long, hard look in the mirror and figure out why they need to think they're so special. Because I don't think anybody is that special.
Many young people are not having safe sex because they think medicines will make everything okay. The thing about these medicines is that you often have to take them your whole life. They can be very aggressive chemicals for your body. Just because you don't hear of as many people around you dying from HIV/AIDS - just like how it was in the '80s and '90s - you can still die. I'd say to someone who's very young to protect themselves and protect their lives. There's nothing safer than not catching this virus. It's having something that never goes out of your system.
As a producer, it starts when I talk about privacy and silence. It starts before anybody believes in it. And I think that's, you have to have a real sense of self, and in order to push things through. And so often, what's interesting, is how many people dismiss an idea that eventually everybody [gloms] onto. So to me it's, that's what I mean by hard.
[Directing first film:] I was terrified, it was really very scary because there is a lot of responsibility. I think I was terrified because I wanted it to work so much. A lot of actors direct movies but I thought the stakes were kind of higher for me because I really, really cared. [...] I just worked as hard as I possibly could on every single thing, every single day. I said that if this failed it would not be because I didn't work as hard as I possibly could...every day.
A couple days before the stunts, if I'm doing something particularly dangerous, I will go over every worst-case scenario in my head, like this could happen, this could happen, this could happen, this could happen. I try to think about that to where it's ingrained in me.
I think we really feel like Crowdrise could be something that, 20 years from now, people take for granted because that's just how you do it, like if you're going to raise money for something, that's how you do it.
[A]s soon as you try and take a song from your mind into piano and voice and into the real world, something gets lost and it's like a moment where, in that moment you forget how it was and it's this new way. And then when you make a record, even those ideas that you had, then those get all turned and changed. So in the end, I think, it just becomes it's own thing and really I think a song could be recorded a million different ways and so what my records are, it just happened like that, but it's not like, this is how I planned it from the very beginning because I have no idea, I can't remember.
I think that right now we're in a very hard moment and off-putting. I mean, look at shoes today - women's shoes. They couldn't possibly get any higher and meaner and sharper. But then again, you go and watch most films today, they're violent and we're living in a world that is, at the moment, quite hard.
In a big picture sense, it's more national prestige that we're risking. You know, we are proud of our space program, but as we were talking earlier, the average American doesn't think that much about it right now. So, it may seem like something we could just give up and not really worry about it, but I think it starts creeping into the national psyche. If American astronauts have to hitch rides with the Russians or other nations in the future.
And the whole online thing is like, I just, that to me is a world that doesn't exist. It's not something you could touch or lick or smell. And as my eyes get worse, it's very hard to read. And there's no money in it. I mean, it's like they pay, like the best you can go is 1970 prices.
I was wondering how you were going to punish me for not confiding in you. Punishment, actually, is something I've thought about for a long time. What form of punishment would be enough for what I did? Imprisonment? Death? Something else? Something scarier? I could only think of so many horrible tortures before they stopped having meaning. But you' you've come up with a punishment I never considered. You're going to sulk me to death.
If God 'foresaw' our acts, it would be very hard to understand how we could be free not to do them. But suppose god is outside and above the Time-line... You never supposed that your actions at this moment were any less free because God knows what you are doing. Well, He know your tomorrow's actions in just the same way--because He is already in tomorrow and can simply watch you. In a sense, He does not know your action till you have done it: but the moment at which you have done it is already 'NOW' for Him.
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