A Quote by Kimbal Musk

After my accident, the stuff that mattered was stuff that made a difference in the world, not the stuff that made money. — © Kimbal Musk
After my accident, the stuff that mattered was stuff that made a difference in the world, not the stuff that made money.
You're really spread out now, you've got stuff all over the WORLD! You've got stuff at home, stuff in storage, stuff in Honolulu, stuff in Maui, stuff in your pockets...supply lines are getting longer and harder to maintain.
People go back to the stuff that doesn't cost a lot of money and the stuff that you don't have to hand money to over and over again. Stuff that you get for free, stuff that your older brother gives you, stuff that you can get out of the local library.
A lot of the stuff I was on 'All Stars,' it wasn't new, it was all stuff out of my closet and stuff that I made myself.
Doing new stuff live is tough just simply because I pay my money, I stand in my seats, and I see the guys I love. And if I paid that ticket, there's a good chance that I'm there to hear the stuff that made me fall in love with 'em - we call it the 'old stuff.'
It’s not Brittney’s face, not her smile, not even her eyes. All of that surface stuff made the world see her as beautiful, but it was the deeper stuff that made her different.
And then you've got President Clinton who made the case as only he can. After he spoke, somebody sent out a tweet- they said, you should appoint him secretary of explaining stuff. I like that- secretary of explaining stuff. Although, I have to admit, it didn't really say stuff. I cleaned that up a little bit.
We're all made of the same kind of stuff, and there's none of us made of stuff that's flawless.
Doing new stuff live is tough just simply because I pay my money, I stand in my seats, and I see the guys I love. And if I paid that ticket, there's a good chance that I'm there to hear the stuff that made me fall in love with 'em - we call it the "old stuff." And if an artist comes in town and dumps his entire new album on me, as a listener in a concert venue, it happens to miss out on the old stuff that I came there for. That doesn't work too well for me as a listener. Most of the time for concerts, it's the old stuff.
I go back to the old school days of that Attitude Era stuff. Everybody knows when I speak of the Attitude Era, my favorite stuff is of the mid-'80s, all that NWA stuff, the World Class stuff, the stuff that Bill Watts was doing.
I just write the stuff that comes out of me, and then after that, I try to get it made. But I don't think, 'Will I get the money?' and 'Who's this made for?'
I started working with synthesizer players, and I had to find new instruments. I needed a more complex sound, so I went to a surplus place and got a bunch of hard plastic stuff and stainless steel stuff, and that stuff worked. So from that point on, from the 70s on, I've made instruments.
I have a list of stuff I need to do during the day. I try to do a couple of hours of professional stuff, be it hockey stuff I haven't gotten to the last little while, husband stuff, everything to repairing stuff around the house that I neglected around the winter.
I prefer making stuff to talking about how I made the stuff.
You should never rely on interviews with musicians as being factual. Most of them are mangled and even have made up stuff in them, that is to say, made up stuff by the writer or editor.
Pilots get made, and they don't go to series. Stuff gets written and never gets made. I've tried to develop stuff that never went. It comes and it goes. It's a part of the process.
I'd done plenty of dark stuff and edgy stuff and hardcore stuff, and I kind of found that stuff easy.
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